Sun on grey water
There is no time or place in human history without a crisis (not even the Garden of Eden of Adam and Eve). Whether in the form of socio-political or cultural earthquakes of greater or lesser magnitude, or as underlying tensions, festering wounds or unquietened, maddening murmurs, crises are at the heart of the very act...
Bitter chocolate and the laughter of tears
If chocolate-coated ‘Teffi’ bonbons tasted nearly as good as Nadezdha Alexandrovna Lokhvitskaya’s own prolifically produced literary confections, they must have tasted perfectly delicious: light on the palate and yet a rich mouthful; intriguingly exotic textures and aftertastes enveloping an unadulterated kernel of pure truth. ‘Teffi’ perfume would have been equally alluring, causing men to melt...
Watching the river flow
The creative process is a funny thing, but when I’m in the middle of it I don’t do much laughing. As an idea gestates in my mind, hour upon hour of writing time can flit by with my skull hitting the desk more frequently than my fingertips hit the keyboard. Trying out a new genre...
Howling whispers
Aeschylus wrote the Oresteia at the age of 67, after a life that had included divine inspiration (he was advised by Dionysus in a dream that writing plays, rather than cultivating vineyards, might perhaps be his true calling), overwhelming and continuous political change in his native Athens, valour in battle during the Persian wars, fighting...
The dream of a ridiculous man
This is a dark firecracker of a book – a deceptively slim volume dominated by a single, long-drawn voice that holds tremendous evocative powers and contains almost overwhelming quantities of undiluted pain but also startling wisdom. The storyline is almost risible – and the main character is convinced that the murkiest ridicule is his quintessential...
Freedom from democracy
The electoral process has often been compared to a marketplace in which ideas are sold by parties to voters who make their consumption choices in the voting booth. In his compelling study of American democracy, Golden Rule (1995), US political scientist Thomas Ferguson argues that we need ‘a different account of political systems in which...
Through a mirror darkly
Well before Shakespeare made the feeling into one of the most celebrated tenets of art as well as life, the Greeks had already been there and done that. The principle of “all the world’s a stage” was for them the clearest, most perfect prism through which to analyse the full, multi-hued spectrum of human experience,...
Where unhappiness ends: Naples beyond Ferrante
You know you are in Naples when the taxi taking you to the city centre from the tiny local airport seems to be driven by a perfectly amiable madman, dead set on breaking your neck (and his) as he hurtle-bumps his vehicle down the almost vertical, serpentine ribbons that are many of the city streets....
Lives in black and white
If we seek truths, we should look into fairy tales; at least this seems to be Meike Ziervogel’s advice, as she begins her novel with the all-familiar “Once upon a time…” It is still hard for Germany to search for truths, the many sore, dark, unspeakable looming truths behind the period of National Socialism, the...
A breath of sadness
“Like a breath of sadness” is how Edvard Munch felt at the time he painted The Scream. “I stood there shivering from dread – and I felt this big, infinite scream through nature,” he wrote in his diary for 1890–92. A reader of Larry Tremblay’s The Orange Grove will inevitably feel the same – will...
