"When I read Céline I thought, 'Wow, you can do this, you can do anything!' That was a turning point, because it showed me you just have to follow your heart." Antti Tuomainen
On film
Flickers of memory

Flickers of memory

Lately, the line between real life and movies has begun to blur. There are times when I’m pounced upon by a memory – the cracked rearview mirror of the first car I ever owned, say, or the ghostly dance of a curtain in front of an open window when I was small and impressionable and...
Angry young, frail old man

Angry young, frail old man

Over two hundred films, mostly blockbusters, made over the past fifty years. Compiling a top ten list for Amitabh Bachchan is by definition an impossible task. It is also a frightening one as even the most considered, academic of lists must exclude beloved films. The films below are not necessarily his most successful, nor are...
Near death – and resurrection

Near death – and resurrection

On 25 July 1982, Amitabh Bachchan was injured in Bangalore while shooting for Manmohan Desai’s Coolie (Porter, 1983). The shot required a simulated punch to the star’s abdomen, a fall on a desk, followed by a half-somersault to the other side of the desk. Bachchan refused a body double and shot the sequence himself. The...
A bear in a million

A bear in a million

The varying merits of the UK’s early November film releases appear to be in direct proportion to the protagonists’ face-fuzz. Much was made in advance of Kenneth Brannagh’s reimagining of Hercule Poirot’s ‘magnificent moustaches’ in the latest adaptation of Agatha Christie’s Murder on the Orient Express (20th Century Fox, 3 November), but the rest of...
Laughter in the dark

Laughter in the dark

One of the memories I most treasure about In the Loop, writer-director Armando Iannucci’s previous big-screen outing, is the moment when Alastair Campbell sat down to view the film with critic Mark Kermode. As Tony Blair’s ex-spin-doctor, Campbell was understandably tetchy at being compared to onscreen fixer Malcolm Tucker, a profane and conniving bully. “I...
The first killings

The first killings

Who now remembers the story of the Limehouse Golem, or cares to be reminded of the history of that mythical creature? ‘Golem’ is the medieval Jewish word for an artificial being, created by the magician or the rabbi; it literally means ‘thing without form’, and perhaps sprang from the same fears which surrounded the fifteenth-century...
Reality check

Reality check

She registered his shadow, a passing cloud bringing inclement weather. “Clare?” She was not even sure she heard her name, but she watched his mouth form the shape. The stereo was turned up loud, his voice lost in drums and double bass. He ducked his face to hers, kissed her on the forehead, then crossed...
Civil rights and wrongs

Civil rights and wrongs

When James Baldwin died in 1987, he left behind 30 pages of letters titled Notes Toward Remember This House, an unfinished manuscript about the lives and deaths of three of his friends – Medgar Evers, Malcolm X and Martin Luther King, Jr. – civil rights activists, all of whom were assassinated in the space of...
A positive betrayal

A positive betrayal

“On one hand it’s a psychological thriller, so people read it fairly quickly. On the other hand, it’s a novel that withholds things from you,” says Julian Barnes of his Man Booker Prize-winning The Sense of an Ending. In the thoughtfully crafted new film version, that withholding remains vital to the slow-burn reveal, but a...
Poets, pedants and survivors

Poets, pedants and survivors

Masterful reworkings of Julian Barnes’ The Sense of an Ending, Maylis de Kerangal’s Mend the Living, and Sarah Waters’ Fingersmith transposed to Korea head another bright batch of literary adaptations and biopics opening in UK cinemas in April. Here’s a selection to keep you dazzled in the dark at your favourite film venues for weeks...