Sheena Kamal: The rage that simmers
It All Falls Down is the second in what will hopefully turn out to be a long-running series of crime novels by Canadian author Sheena Kamal. Once again focused on an enigmatic female protagonist named Nora Watts, it is a worthy follow up to Kamal’s critically acclaimed debut Eyes Like Mine. I may be a...
Visions and monsters
The Monstrous Child, which has just completed a very successful run at the Royal Opera House’s Linbury Theatre, is one of the first and most audacious examples of a new genre: highly evocative classical opera especially written for teenage audiences. Adapted from the YA novel of the same name by Francesca Simon with music by...
Lúcia Bettencourt: The inconstant gardener
Lúcia Bettencourt and I first met in New Haven in the late 1980s and became fast friends. Our shared adventures and collaborations have taken us to far-flung places, from New York and Rio to Bloomington and Cuiabá. Over the years, we’ve kept up conversations about a host of topics; we most often come back to...
Leïla Slimani: We are all monsters
Leïla Slimani has been in huge demand on the global literary circuit since winning the Prix Goncourt in 2016 with her second novel Chanson douce, which was published in English last year as Lullaby (and in the US as The Perfect Nanny), translated by Sam Taylor. A worldwide bestseller, it opens with the double...
Nilton Resende: Good and evil
A native of Maceió, Alagoas, in Brazil’s northeast, Nilton Resende has made a name for himself in multiple artistic fields. He’s an adjunct professor of literature at the state university; co-founded the Ganymedes theatre company, for which he adapted, co-directed, and starred in Thomas Mann’s Mario and the Magician; and has worked as a film...
Oyinkan Braithwaite: Blood sisters
If the title hasn’t already won you over, the opening lines hook you right in: “Ayoola summons me with these words – Korede, I killed him. I had hoped I would never hear those words again.” Oyinkan Braithwaite’s debut novel My Sister, the Serial Killer is a pacy, macabre and very funny gallop through the...
John Lanchester: Behind the barricades
John Lanchester’s The Wall is a dystopian vision of post-climate-collapse Britain. As the seas have risen, all the world’s beaches and low-lying communities have been submerged, and vast displaced populations are cast adrift on the oceans in a perilous search of safe harbour. In common with other still-habitable territories, Britain’s rocky coast is topped by...
William Ryan: Seeking answers to the darkness
William Ryan’s historical thriller A House of Ghosts has been receiving high praise in the press and from readers. I’m willing to bet the stunning cover design, featuring an embossed gold-leaf image of Blackwater Abbey, has played a part in the novel’s success. Stars flicker in the night sky and stylised rays of light fan...
Claire Fuller: The female gaze
Claire Fuller’s third novel Bitter Orange is a delicious read that lingers in the reader’s subconscious long after the final page is turned. It’s the summer of 1969 and Frances, Peter and Cara are camping out at Lyntons, a once-grand, neoclassical mansion that they’re surveying for its new American owner. Frances is a socially awkward...
Emma Curtis: Face to face
Writers find inspiration in many places, some more interesting than others. A quick poll on Twitter was met with the following responses: an overheard conversation in a cafe, a photo of a flood on the wall of a local pub, a piece of flash fiction, a news article, and a chance encounter with Martin Scorsese...
