On finding your voice
When I first started actively pursuing a writing career, I had a pretty good idea of what I was going to write: spare and beautiful books set in rural Ireland, miniature domestic tragedies with universal truths at their heart. Possibly there’d be a PWDP (Priest With Dark Past), or a WRAUA (Woman Returning After Unexplained...
Etgar Keret: Something weird
Fly Already, Etgar Keret’s first story collection for seven years, hits a familiarly outlandish and infectious groove. The title story relates a potential suicide jump as witnessed by a young boy whose innocent, excited observations to his father are set against a backdrop of grief, guilt, recovery and misunderstanding. It typifies the offbeat humour, childlike...
All through the night
H.M. Naqvi’s The Selected Works of Abdullah the Cossack draws a portrait of modern Karachi via the crumbling body and soul of a 70-year-old man who is pondering the city’s past from the viewpoint of a dilapidated family estate. His wistful daydreams of jazz clubs, cabarets, Sufi festivals and visiting Soviet officials are broken when...
Laura Beatty: Insight and wonder
One comes away from meeting and talking with Laura Beatty with a combined sense of awe and the closest human affinity and immediacy. She possesses a formidable mind, a very composed and elegiac conversational style that one may only call a delicately poetic oral prose. The beginning of a thought or a sentence soon acquires...
Writing in the #MeToo era
Shocking revelations, a barrage of headlines, rising public outrage, hashtag activism, and… fiction. My novel The Red Word has been launched at the height of the #MeToo movement, and from its first days on the market it’s been praised for being ‘timely’. How does it feel to have written such a timely novel? How has...
Confessions
David Means is the author of the highly acclaimed story collections A Quick Kiss of Redemption (1991), Assorted Fire Events (2000) The Secret Goldfish (2004) and Spot (2010) as well as the Man Booker-nominated novel Hystopia (2016). His work has appeared in The New Yorker, Harper’s, Zeotrope and Best American Short Stories. He lives in...
Lúcia Bettencourt: The inconstant gardener
Lúcia Bettencourt and I first met in New Haven in the late 1980s and became fast friends. Our shared adventures and collaborations have taken us to far-flung places, from New York and Rio to Bloomington and Cuiabá. Over the years, we’ve kept up conversations about a host of topics; we most often come back to...
A remarkable woman
As I made the final corrections to the proofs of my debut novel Attend, I was asked by my publisher whether I wanted to include a dedication. Having toyed with some names – a few people in my life I thought might fit the bill, the idea came to me that I should dedicate this...
Be creative
Let’s say you would like to write a novel. You have a plot summary, gained over weeks, months, years, which has formed in your mind while you have been out walking, running, having a bath. The plot is simple and effective, and you can describe it in less than a minute. Your friends like your...
Richard Skinner: Getting going
Richard Skinner is Director of the Fiction Programme at Faber Academy and a tutor on its six-month Writing a Novel course. Working across fiction, life writing, non-fiction and poetry, his latest book is Writing a Novel: Bring Your Ideas To Life The Faber Academy Way. I fire off some questions about the book, the course...
