Making sense of the past and present
Anjum Hasan’s latest novel History’s Angel is an intimate portrait of contemporary Delhi seen through the eyes of a timid schoolteacher who is struggling to square his love of history with the questionable values, indifference and rising hostility that surround him as a Muslim in Narendra Modi’s India. She tells us about her motivations and...
Gay love stories in historical fiction
What was it like to be a gay man in Paris in 1870? While researching my novel The Beasts of Paris, I couldn’t find much in 19th-century writing about homosexual love, and even later there are strangely few literary, queer, period-set love stories (shout outs to Sarah Waters and Mary Renault), so I’m pushing the...
Dante’s nose
Early in the morning of September 1321, Dante died of malaria in Ravenna. Looking at the images (pictorial or sculptural) that we have of him, and considering the corpus of his work, especially the impact he was to have on our understanding of European culture in the centuries to come, one would think this would...
All-seeing I
Omniscient narrators are an endangered species. Once they flourished, roaming freely over the lush grasslands of 19th-century fiction. Now, when I look at my bookshelves, it seems that less than 10% of contemporary fiction is narrated omnisciently. A simple experiment: take a look at your own shelves and ask yourself who’s doing the talking. Count...
A passage to Forster
In contrast to his earlier novels, which he produced in a flurry between 1905 and 1910, E.M. Forster took eleven years to write A Passage to India. For nine of those years he was blocked, unable to move forward. He started it after his first visit to India in 1913 and was only able to...
