"The West doesn’t understand radicalism. It’s anger, isolation, alienation, pain – that’s what drives young people to take up arms against the world. Not religion." Fatima Bhutto
Posts tagged "Europa Editions"
You didn't understand...

You didn’t understand…

In May 2016, Gresham College in London hosted a symposium on the subject of ‘Cultural Heritage and War’. Chaired by Professor Tim Connell, it featured Sir Derek Plumbly, speaking on British and American policy and the temporal lapses between historical awareness and political action, Dr Elisabeth Kendall, discussing ‘poetry as war’, ‘poems as swords’, and...
Illustrations for a life unlived

Illustrations for a life unlived

“When I was twelve, other people thought I was a prodigy who dazzled and disturbed… by the time I was twenty, I’d learned to deride the facility of my hands as if it were a weakness.” Daniele Mallarico, who speaks these words, is a renegade Neapolitan, an old man on the edge of the precipice...
Piercing prisms and Persian perspectives

Piercing prisms and Persian perspectives

“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
Négar Djavadi: Neither here nor there

Négar Djavadi: Neither here nor there

French-Iranian screenwriter Négar Djavadi’s illuminating, richly entertaining debut novel Disoriental combines a sweeping family history in 20th-century Iran with an intimate study of identity and motherhood in contemporary Paris. Kimiâ Sadr is a lesbian punk rocker who spent her teenage years in the French capital after the family fled the trauma of Iran’s 1979 Islamic...
Stilted life

Stilted life

Our times belong, in many ways, in an eerie brotherhood with moments in human history from almost half a millennium earlier: in our audacity, curiosity, enterprise, demographic explosion and multi-ethnic convergence, in the vibrancy (dark or light) of our questioning of what it means to be human, to belong to society, to progress and to...
An Amazon dreaming of Arcadia

An Amazon dreaming of Arcadia

Historical fiction or fiction inspired by real events often runs the risk of yielding to the temptation of aggrandising one’s subject, of over-valorising the kernel of truth for the sake of effect and novelty, of the triumph of a first discovery. Like Arrowby in Iris Murdoch’s The Sea, The Sea, the author, as much as...
Every way out

Every way out

The shortlist for the 2017 Polari First Book Prize, announced at the Polari Literary Salon at London’s Southbank Centre on 31 July, brings together an eclectic and provocative range of fiction and non-fiction from Cardiff to Kuwait and beyond that throws light on the LGBT experience from surprising angles. Now in its seventh year, the...
A total portrait of the artist as an absence

A total portrait of the artist as an absence

Elena Ferrante is traditional in the most radical, boundary-dissolving ways; conventional with subversive fervour and delicately powerful talent. In Frantumaglia: A Writer’s Journey she proves above all the invincible strength of her authorial translucence, the rock-solid presence of her so-called anonymity, which she invariably corrects as being a determined gesture of absence. The word frantumaglia,...
Delusions of a terrorised conscience

Delusions of a terrorised conscience

“I desire to be humbled before God. It was a great delusion of Satan that deceived me in that sad time. I did not do it out of anger, malice, or ill-will,” stated Ann Putnam in 1706. When only twelve or so, she had been one of the principle witnesses and accusers in the notorious...
Erasures

Erasures

Ann Goldstein, the English translator of Elena Ferrante, said in a panel discussion hosted by Rosie Goldsmith at Waterstones Piccadilly this month that she felt “bereft when the last translation was finished.” “The characters,” she felt, “become people we live with.” The same sense of bereavement, of loss of a vital friend or voice, is...