Tell me a story
Our oldest memories are in stories. Our oldest memories are stories. To tell a story well is a skill: the sort that can be learned but cannot easily be taught. To be told a story is a pleasure and often a privilege. When I first picked at the thread of an idea for my debut...
from Please Do Not Touch This Exhibit
When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
A disunited kingdom
Let me paint you a picture of an alternative Britain sadly not too far from our own… My debut novel Verge charts a journey – both literal and internal – of two very different young people across a Disunited Kingdom where the county borders have become hard borders with checkpoints, processing units, guards and, occasionally,...
Véronique Tadjo: Listen to the trees
French-Ivorian writer, academic and artist Véronique Tadjo’s spellbinding novel In the Company of Men draws on personal testimonies from medical workers and those affected by the Ebola outbreak in Guinea, Liberia and Sierra Leone, as well as oral traditions of storytelling, to create an urgent modern fable about the strength and fragility of life on...
The solace of the strange
As the threat of a global pandemic grew and when we finally went into lockdown, something happened to our dreams. Telephone conversations, social media posts, virtual meet-ups became places to express the strange effect the virus was having on our subconscious sleeping states. For a while, I’m having the weirdest dreams, seemed to be the...
Camilla Bruce: Away with the faeries
Camilla Bruce’s debut novel You Let Me In is a gripping, genre-shifting psychological thriller written in the form of a long letter-cum-memoir from missing, 74-year-old romance novelist Cassandra Tipp to nephew and niece Janus and Penelope – her only living heirs. In the letter, she tells dark parallel tales about a childhood spent in the...
Deepa Anappara: Other realities
Deepa Anappara’s debut novel Djinn Patrol on the Purple Line is an exuberant and captivating child’s-eye depiction of hand-to-mouth living in a sprawling, determinedly self-sustaining slum in an unnamed Indian city. Nine-year-old narrator Jai is a fan of reality cop shows beamed into his family’s one-room shack in a crowded basti surrounded by the high-rise...
Mia Couto: Singular dualities
Mia Couto’s Woman of the Ashes is the first novel in a trilogy centred around the 1895 overthrow of southern Mozambique’s last emperor, Ngungunyane. As warring factions threaten to divide the country an unforeseen love affair unfolds between 15-year-old village girl Imani and exiled Portuguese sergeant Germano de Melo. Imani is torn between pragmatic service...
About a girl
I’d never intended to call my novel Snegurochka. Titles are tricky, so writer friends made helpful suggestions. Call it ‘Something in Kiev,’ suggested one. The novel is set in Kiev, where I lived for a while in the early 1990s. The place gripped me from the start and I knew that one day I would...
Greetings from Fürstenfelde
The vixen lies quietly on damp leaves, under a beech tree on the outskirts of the old forest. From where the forest meets the fields – fields of wheat, barley, rapeseed – she looks at the little group of human houses, standing on such a narrow strip of land between two lakes that you might...
