At sea
They knew they were lost because they had been travelling for several hours but still had not arrived. When the sun’s disc broke above the sea, they saw nothing to raise their hopes, no sign of an island in any direction. At midday, still with no land in sight, someone said that the man who...
Outrages
In her latest engagement with the classical tradition, a self-proclaimed radical rewriting of the story behind the Homeric epics, Natalie Haynes is openly outraged and angry. Indignant and righteous, she is a strong, vocal, almost virago-like warrior with a declaredly urgent, even vital cause: to resurrect and reinstate the ancient women in the attic, to...
Laura Beatty: Insight and wonder
One comes away from meeting and talking with Laura Beatty with a combined sense of awe and the closest human affinity and immediacy. She possesses a formidable mind, a very composed and elegiac conversational style that one may only call a delicately poetic oral prose. The beginning of a thought or a sentence soon acquires...
New travels with myself and another
Laura Beatty’s new book Lost Property, a nearly sublime hybrid between a novel and a philosophical essay, begins with an England in a state of utter crisis – social, humanitarian, political, cultural, a crisis of identity, values, place, purpose and meaning. Beatty’s heroine describes herself as tottering between being and non-being, reason and insanity. “At...
A red sun setting over ruins
Modern Greek literature is often viewed with relative suspicion when translated or transposed for the foreign reader beyond its borders; it is deemed perhaps too local and of limited or specialist interest, too parochial and unmodern, or as a weak, nerveless attempt at emulating Western fads and already expired fashions. Greekness is inevitably dominated by...
Escaping wars and waves
Olivier Kugler’s intimate documentary drawings of refugees from Syria have established the award-winning artist as one of the world’s most important graphic reporters. Evoking the experiences of refugees he met in Iraqi Kurdistan, Greece, France, Germany, Switzerland and England, mostly on assignment for Médecins Sans Frontières, his beautifully observed portraits are combined with snatches of conversation and images of...
Cretan love song
Imagine you’re part of the Minoan civilization, just hanging out with your effete painted face down by the water’s edge on the north shore of Crete, circa 1600 BC. Biting flies knit the breeze around your head. Wavelets slap discreetly ashore. When the volcanic island of Thera detonates seventy miles to the north, the concussion,...
On borrowed ground
It is fair to say that the ancient Greeks gave to the literary imagination some of the greatest female characters, that they created, even, the very genre of a female protagonist. In a world presumed to be dominated by men, male thought and undeniably masculine politics, it is women who often offer the starkest, most...
For Hekate
She wakes to the sound of axes. All through the forest around her, sharp over the howling of the wind. The sunshunted by sea-blown spray. Hekate unceasing, and the wind still hot, with no cloud, air warped and darkened. Her grandfather struggling to rise higher. The Minyae building on the shore, wearing very little and...
Mohsin Hamid: Moving on
Mohsin Hamid’s latest novel Exit West imagines a world in which war refugees and economic migrants have the chance to break for safety by passing through supernatural black doors that serve as wormholes to wealthier countries. It’s a magical conceit that fast-forwards the likely exoduses of the coming decades, and intensifies the human dramas of...
