from Border Zone
John Agard has been broadening the limits of British poetry for the past 40 years. His ninth Bloodaxe collection, Border Zone, explores a far-reaching canvas of British/Caribbean transatlantic connections, sweeping across centuries and continents. It’s a diverse collection in which the thought-provokingly mischievous, bawdy, elegiac and satirical rub shoulders with the sequence The Plants Are Staying Put –...
Tessa McWatt: A place in the world
Tessa McWatt’s The Snow Line throws together four strangers at a wedding in the Indian Himalayan foothills. Twenty-five-year-old Reema is a classical singer born in India but raised as a Londoner, who has travelled without her Scottish boyfriend. Having recently discovered she is pregnant, she is facing a life-shifting decision about her future. Yosh is...
Here and there
One of the things we do as poets is to try to preserve experiences, people, places important to us, in an effort to save them from time’s erasure. In Passport to Here and There, I’ve been more conscious of this than in some of my other books and felt that a short introduction to my...
Atlantic
Married as we were to your brown untourist beaches, unconcerned with the many shores you touched, as children, we thought that you, Atlantic, belonged to us, your below-sea-level offspring. See us playing cricket, turn-down bucket making wicket – ball a spin-off of empire – lost in the applauding waves for six. At Easter, to...
Why read a book (let alone write one)?
There is a YouTube clip called Medieval Helpdesk, in which a monk is showing another monk how to read a book. It reminds us that every innovation is a new technology at first. The video underlines for me the specificity of the technology of words grouped together and between covers. It’s about the words themselves...
