Crying wolf
Millennial moments are full of auguries and momentum, real promise or sly illusions. They trick us into a sense of tabula rasa, into an exalted feeling of weightlessness from the past and its responsibilities, its phantoms and nightmares, but also from the effort to match and sustain its legacy of greatness and wisdom. It is...
The end of the world that never came
Some books speak infallibly and for eternity; no matter their narrative temporality, the very magnitude of their resonance transcends their present, encompasses the past, often pre-empts and preconditions the future on a universal scale that gives them a sense of almost divine omniscience and awesomeness. These will eventually become what we call rather inadequately the...
The truth of the lie
“The duty of art (or of thought) consists in showing us the complexity of existence in order to make us more complex, in examining the mechanics of evil, so that we may avoid it, and even the mechanics of good, perhaps so we may understand them”. This is Javier Cercas’ declaration of intent at the...
The unbearable burden of non-being
Lviv, also known as Lwów and to others as Lvov, as Antonia Lloyd-Jones reminds us in her translator’s note, or to some as Lemberg and even Leopolis, is a city with a rich enamel of history – it is almost majolica-like in its many facets, colours, hues and patterns, in the broken splinters of its...
The Leica way
In his previous book, Norwegian Wood (MacLehose Press, 2015), Lars Mytting composed an elegy to trees – not only as an elemental form of life, as symbols, and as the other, vital half of the animate cosmos, but also in their immutable relation to man. Norwegian Wood is about the transcendental materiality of timber, logs,...
Elegy in E minor
Of a summer in Spain, where she is vacationing as a university student, M.A. will mostly recall “the portraits of Franco; you thought that was just his first name and you were surprised everyone was on such familiar terms with a head of state.” It is this subtle blend of French phlegm, disingenuously simulated naiveté...
Catching the past
In 2014, Otto de Kat wrote a short essay for PEN, where he gives a poetic yet also practical definition of the art and skill of writing historical fiction, of crafting novels whose life must be fictional, and yet feistily rooted in factual reality. This genre has been his own home since 1998, when he...
Steven Uhly: A life of encounters
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
The hydra of memory and forgetting
“If you have no wounds, how can you know you are alive?” wrote Edward Albee in 1998’s The Play About the Baby. Steven Uhly’s Kingdom of Twilight could be said to be all about physical, psychological and historical wounds and about the true meaning of knowing oneself to be alive – the true worth of...
Dreamland
No Picnic on Mount Kenya is neither a war memoir nor the travel log of an exotic mountaineering expedition; neither history pure and unimpeachable, nor a novel where the imagination is given free reign; it is neither biography nor documentary. It is, and explosively, all of the above – a grippingly beguiling tale as well...
