The Mourners’ Kaddish
Sometimes it is very hard to put words to experiences. In Adorno’s much used (and misused) own words, “there can be no poetry after Auschwitz”; the human soul and mind can conceive of no recreation of experience, no seamless relating to, or of, life through words alone, once the humanity of meaning has been so...
This great horse-faced bluestocking
There are books that have transformed the world; stories that have changed the course of lives. For more than 150 years now, the novels of George Eliot (Mary Ann Evans) have done just that for an unwavering and undiminishing succession of readers: they have stopped them in their tracks almost midway, literally nell mezzo del...
After all that we were, what shall we be?
The war that would slash modern history, our contemporary awareness of humanity, into before and after, leaving a gaping void between the two states, seems not to have happened at all in the opening pages of Annette Hess’ ambitious and complex debut novel The German House. It is 1963, the year of Hitchcock’s The Birds,...
Keep calm and carry on giving
Christmas books for the young, the very, very young and that lost generation, the ever youthful old We live in dark and desperate times, we often remind ourselves. And we seem determined, wherever our minds, souls, or ideas may lie, to do our mightiest in order to cast off the hex that has been...
From heaven to earth
One of the most striking characteristics of Socrates, as we know him from Plato, Plutarch, Xenophon, Cicero or Diogenes Laertius, and the numerous, yet exasperatingly fragmentary sources that survive, was his talent for convincing his interlocutors of his utter ignorance of any subject – his signature style was to present himself to the unwary as...
Dim background figures
Among the bold colours and radically liberating shapes that conjured up so indelibly the world of the Bloomsbury Group painters, between the layers of meaning and style of the new women writers, under the shadows or glaring light of history, and at a tantalising distance, both flirtatious and cautionary, from the figures who dominated early...
Don’t hurry over them
John Gaskin (he likes to write his first name with a soupçon of Hellenic omega in its spelling) is a rather extraordinary man. A banker quickly turned philosopher and academic, he has been lecturing and writing prolifically on almost all things ancient for more than half a century. Revered for his scholarship and mellifluous paeans...
More than itself
More than a poet, Rilke, one might argue, is a supreme embodiment of a Platonic idea of the artist, a sublime abstraction of the power of art and of words to haunt us and to grant us life. Even when alive, he was less a person than he was a persona, a complex yet intangible...
Let there be light
Tatyana Tolstaya lives a double life. A fiercely postmodern, vibrant writer of the here-and-now, an indulgently larger-than-life presence in Russian letters and culture at home and abroad, she is also a ghost – a rather hard-to-miss, palpably material ghost, but a ghost of Russian and Tolstoyan past, nonetheless. Her latest collection of short stories, Aetherial...
Outrages
In her latest engagement with the classical tradition, a self-proclaimed radical rewriting of the story behind the Homeric epics, Natalie Haynes is openly outraged and angry. Indignant and righteous, she is a strong, vocal, almost virago-like warrior with a declaredly urgent, even vital cause: to resurrect and reinstate the ancient women in the attic, to...
