Nowhere, or wherever you are
I wanted to be a writer when I was little. There was no question of it; I knew loads of words, and it hadn’t crossed my mind that there was anything more to it than putting them together on a blank (or blank-ish) surface. I was a writer. I wasn’t prepared to wake up one...
About a girl
I’d never intended to call my novel Snegurochka. Titles are tricky, so writer friends made helpful suggestions. Call it ‘Something in Kiev,’ suggested one. The novel is set in Kiev, where I lived for a while in the early 1990s. The place gripped me from the start and I knew that one day I would...
Marcia Daley-Ward aka ‘mum’
had a slim waist (in the very beginning), soft hair a gorgeous smile (pearly arcs, those teeth. Shining church doors). Marcia had smiling eyes loose hips could dance as well as anyone on television lived with her grandparents in Kingston, Jamaica, and she was oh so kind, had some art about her. When told to...
Piercing prisms and Persian perspectives
“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
Négar Djavadi: Neither here nor there
French-Iranian screenwriter Négar Djavadi’s illuminating, richly entertaining debut novel Disoriental combines a sweeping family history in 20th-century Iran with an intimate study of identity and motherhood in contemporary Paris. Kimiâ Sadr is a lesbian punk rocker who spent her teenage years in the French capital after the family fled the trauma of Iran’s 1979 Islamic...
We need to talk about nanny
My ex-husband and I moved from Berkeley, California to Kensington in 1994. I was the proverbial deer in headlights, having not a clue how the world functioned beyond the scope of my somewhat limited life experience. The word naïve doesn’t really cut it, as I was too naïve to notice my own naïvety. In truth,...
To watch over them
The baby is dead. It took only a few seconds. The doctor said he didn’t suffer. The broken body, surrounded by toys, was put inside a grey bag, which they zipped shut. The little girl was still alive when the ambulance arrived. She’d fought like a wild animal. They found signs of a struggle, bits...
Juliet West: Back to black
Juliet West’s second novel The Faithful is a love story set during Britain’s brief dalliance with fascism in the 1930s, and a tale of two mothers set on distinct paths. I chat to her about the book’s key issues and themes, and how she approached researching and recreating the era. CF: I love the title...
Samanta Schweblin: Passion and terror
Samanta Schweblin is an acclaimed Argentinian short-story writer whose compact debut novel Fever Dream is shortlisted for the 2017 Man Booker International Prize. A disorientating and utterly gripping psychological thriller and an unsettling exploration of family ties, panic and dread, it is told in spare dialogue between a woman called Amanda who lies dying in...
The facts of life
The Facts of Life is a beautifully drawn, funny and sometimes painful exploration of what it takes to be a woman, and a mother – or not. In 1970s northeast England, best friends Polly and April are sitting up a tree, whispering about periods and swapping their hazy knowledge of the facts of life. They...
