My own private love club
Robert Glancy’s debut novel Terms & Conditions tells the story of a lawyer specialising in jargon-filled small print and footnotes no one ever reads, whose life unravels after an apparent road accident. He looks back with fond imagination on a book tour that turned out nothing like a car crash. 1 February The launch of...
Katherine Mansfield: ‘Bliss’
“What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly by a feeling of bliss – absolute bliss! – as though you’d suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks...
Katherine Mansfield: ‘At the Bay’
However you choose to dissect her best work, (and she did do some that wasn’t all that), Katherine Mansfield was a revolutionary writer. She was a symbolist and a modernist and her stories were, according to katherinemansfield.com, the “first of significance in English to be written without a conventional plot.” Commenting on Somerset Maugham’s ‘Rain’,...
Which would you choose?
In the December 2013 issue we launched our ‘Favourite Stories’ feature, with seven writers each introducing a short story which they feel stands out as a shining example of the form. Suzanne Berne picks out a perfect sketch from recent Nobel Prize winner and short-story stylist Alice Munro, Sophie Hannah weighs up Herman Melville’s ever-popular...
Eleanor Catton: Eyes wide open
I meet Eleanor Catton in the Langham Hotel straight after her Woman’s Hour debut and the day before the Booker shortlist announcement. I have a feeling that her second and most recent novel, The Luminaries, will be on the shortlist and I also have a feeling that she already knows whether it is or not....
