Barmaids and landladies in fiction
My new psychological thriller What We Did in the Storm is set on the beautiful Isles of Scilly, pitching dark secrets and even darker deeds against stunning scenery. My lead character happens to be a barmaid working on the island, so I blithely suggested compiling a Top Ten list of fictional barmaids and landladies. Easy,...
The essential art of rewriting
I am always nervous about giving advice to aspiring novelists. My instinct is not to advise at all but to ask them, quite earnestly, if they are sure that this is what they want to do. If the answer is “I think so…” then I am tempted to steer them towards a different course. The...
Locked-room mysteries
Back in the day, a ‘locked-room mystery’ meant exactly that – a murder behind not only closed, but locked doors, ostensibly impossible to commit, and thus a mechanical conundrum to unpick. Think Gaston Leroux’s Le mystère de la chambre jaune (1907), or even Arthur Conan Doyle’s personal favourite of all his Sherlock Holmes stories, ‘The Adventure...
At the museum
The glass door slid open without a hitch. That was only natural, the woman realized. They were automatic doors. She glanced around the main entrance. The building was immaculate, and looked to have been designed with considerable attention to architectural aesthetics. It reminded her of a hospital. Whiteness and curves. She wondered whether people associated...
Ami Rao: All life is here
Ami Rao’s Boundary Road is an inventively structured, deftly observed and uncompromisingly raw snapshot of contemporary multicultural London in which two young passengers on the Number 13 bus from central to north London have fleeting encounter whilst lost in their own pasts. Aron is making a new start as an assistant in a suit shop,...
A fresh start
Dinah Glover arrived in Tokyo to take up residence in a block ambitiously named Maison du Parc. The building was surrounded by concrete and clad in more concrete, pink and stuccoed. It was long and squat, like the egg casing of a huge insect. Dinah had come on a work visa sponsored by Saitama Denki...
We and our cats
I am writing this now in my home in rural Ibaraki, just north of Tokyo, which I share with my husband and our three cats. We bought this old house ten years ago, did a major renovation on it, and moved in just over eight years ago. As we were moving in, one of our...
Liminal spaces and impossible things
I’ve been obsessed with and seduced by the notion of liminal space since childhood. It began with The Chronicles of Narnia. As an eight-year-old I devoured The Lion, the Witch and the Wardrobe and, long after the story started to fade the obsession with wardrobes remained. My paternal grandmother lived in a large, spooky Victorian...
Connecting with lost souls
My third novel Hazardous Spirits is set in Edinburgh in 1923. The story follows Evelyn Hazard, whose husband Robert wakes up one day and announces that he can speak to the spirits of the dead. Like many strange tales, the idea for this novel originated during an unusual blind date. I arrived late to the...
Here or there
Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
Making sense of the past and present
Anjum Hasan’s latest novel History’s Angel is an intimate portrait of contemporary Delhi seen through the eyes of a timid schoolteacher who is struggling to square his love of history with the questionable values, indifference and rising hostility that surround him as a Muslim in Narendra Modi’s India. She tells us about her motivations and...
Charlotte Perkins Gilman: ‘The Yellow Wallpaper’
I recently found myself on the horror side of BookTok, scrolling through video after video recommending “books that will rattle me to my core” and “scary fall reads” when something intrigued me enough to stop scrolling. A young man stared into the camera, carefully holding a book so that the viewer couldn’t immediately see the...
