Let there be light
Tatyana Tolstaya lives a double life. A fiercely postmodern, vibrant writer of the here-and-now, an indulgently larger-than-life presence in Russian letters and culture at home and abroad, she is also a ghost – a rather hard-to-miss, palpably material ghost, but a ghost of Russian and Tolstoyan past, nonetheless. Her latest collection of short stories, Aetherial...
Six white robins
The Beggar and Other Stories is a very unusual collection, and in fact an arrangement not directly intended to appear as such by its author. Its compiler, Gaito Gazdanov’s newest translator Bryan Karetnyk, has orchestrated a truly unconventional array of layers of both fiction and reality, of narrative experiences and of perspectives of vision and...
Bitter chocolate and the laughter of tears
If chocolate-coated ‘Teffi’ bonbons tasted nearly as good as Nadezdha Alexandrovna Lokhvitskaya’s own prolifically produced literary confections, they must have tasted perfectly delicious: light on the palate and yet a rich mouthful; intriguingly exotic textures and aftertastes enveloping an unadulterated kernel of pure truth. ‘Teffi’ perfume would have been equally alluring, causing men to melt...
Elena Lappin: Secrets and lives
In Elena Lappin’s novel The Nose, her protagonist Natasha Kaplan, a young New Yorker in London editing an Anglo-Jewish magazine, discovers more than she’s bargained for when in the course of her new job she ends up uncovering secrets about her own family’s past. “I thought I had invented and imagined it all,” writes Lappin...
Approaching Onegin
Alexander Pushkin is, by universal assent, the most important figure in the history of Russian culture, and his finest work is Yevgeny Onegin (1823–31). He is to Russia what Dante is to Italy, Shakespeare to England and Cervantes to Spain, and for the Russians his novel in verse is a rough equivalent to those other...
