“You have one body and one life to live and you only get this one shot – and that reality can drive you crazy.” Ottessa Moshfegh
Posts tagged "theatre"
“Angels you will see only when you’re dead. Possibly.”

“Angels you will see only when you’re dead. Possibly.”

Think back to when you were very young, still capable of looking at the world with wide, wondrous eyes. When books had a breathtaking pulse and three-dimensionality about them, and every page seemed like an invitation to a mystic dance – a summons to enter a world of grand enchantment, of dark, mysterious corners and...
A complex complicity

A complex complicity

“I’ve forgotten such a lot. Most of it, really. Certain things stick of course, although I’ve no idea why. I don’t understand how it works. I read something and then I go across the room to check what’s for dinner and completely forget what I’ve just read. I think, wait a minute, I’ve only just...
Visions and monsters

Visions and monsters

The Monstrous Child, which has just completed a very successful run at the Royal Opera House’s Linbury Theatre, is one of the first and most audacious examples of a new genre: highly evocative classical opera especially written for teenage audiences. Adapted from the YA novel of the same name by Francesca Simon with music by...
The supper

The supper

I bite the cookie I’d slowly brought to my mouth; it breaks, like bones being crushed. I grind it and picture the lattice pattern on its surface coming apart, reminding me of the game my grandfather taught me and invited me to play on many afternoons. Cookie, lattice, crushed bones. I bite down and feel...
Nilton Resende: Good and evil

Nilton Resende: Good and evil

A native of Maceió, Alagoas, in Brazil’s northeast, Nilton Resende has made a name for himself in multiple artistic fields. He’s an adjunct professor of literature at the state university; co-founded the Ganymedes theatre company, for which he adapted, co-directed, and starred in Thomas Mann’s Mario and the Magician; and has worked as a film...
Peter Shaffer: An immortal life

Peter Shaffer: An immortal life

Our lives, our intellectual and emotional worlds, our humanity and imagination, owe a great, indelible debt to Peter Shaffer, for revealing to us the wonder and the dark mystery of our existence, for enhancing so starkly and so gently our knowledge of ourselves, of our history and society, its ethics, aspirations, the sheer mechanics and...
An unfailing life

An unfailing life

On 29 April 1937 Virginia Woolf read one of her texts on the radio, the only recording of her voice known to have survived from a total of three BBC radio broadcasts. This highly introspective essay on the craftsmanship of writing was entitled ‘Words Fail Me’; four years later, almost to the day, Woolf would...
Forever Neverland

Forever Neverland

Sally Cookson’s Peter Pan at the National Theatre is an exuberant steampunk pyjama party, exploring grown-up themes of abandonment, jeopardy, loneliness and despair. Cookson thrusts Wendy Darling (Madeleine Worral) centre-stage, as her story arcs from wonder to understanding and impending adulthood, while Paul Hilton’s petulant Peter, in his outgrown green suit and arrested adolescence, remains...
A night in the barn

A night in the barn

David Hare’s The Red Barn, his latest sell-out play at the National Theatre, is a bold adaptation of Maigret creator Georges Simenon’s hitherto obscure novel Le Main, which is also now released by Penguin Classics in a new translation. In the depth of winter in 1950s Connecticut, Donald and Ingrid Dodd (Isabel in the novel)...
In praise of evanescence

In praise of evanescence

A sense of bemused confusion and intrigued curiosity is the audience’s first impression of David Zinn’s set for Annie Baker’s The Flick, currently at the National Theatre following a strong and successful season in New York, where it won the Pulitzer Prize for Drama. There are seats on either side of the space that ought...