Judith Shakespeare
In her 1929 feminist manifesto, A Room of One’s Own, Virginia Woolf explored the reasons why over the centuries women had written so little compared to men. “A woman must have money and a room of her own,” she famously pronounced, “if she is to write fiction.” In lectures originally given in 1928 at Newnham...
Here or there
Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
Embracing the unknown
Gina Chung’s near-future debut novel Sea Change is narrated by 30-year-old Korean American aquarium worker Ro, whose menial job is uplifted by taking care of a magnificent, genetically mutated giant octopus called Dolores. Dolores was brought to the aquarium by Ro’s father two decades earlier, lifted from a highly polluted stretch of northern ocean known...
We need to do the impossible, because what’s merely possible is gonna get us all killed
We can debate whether the problem is Us or Them. We can endlessly parse false and real solutions, and fight over what – given prevailing political realities – we’re willing to consider “good enough.” We can argue whether to focus on mitigation, adaptation, or suffering. We can quarrel over whether our salvation lies in individual...
Orlando Ortega-Medina: Love without borders
Orlando Ortega-Medina’s riveting novel The Fitful Sleep of Immigrants wears its politics on its sleeve. Beyond the inclusion of the perennially hot-button word Immigrants in its title, one needs only to peel back the front cover and read the dedication to find the first direct iteration of its author’s message: “To the countless multinational same-sex...
Murder, mystery and mind games
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
A laughing boy and music from a cracked kettle
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...