The conversation
Before my novel The Death of the Poet was published, I was used to experiencing certain sorts of conversation about writing. After all, that’s what I do for a living – talking and writing, I mean. Talking, as in radio; writing, as in novels; talking about writing, as in critical discussion. For a good number...
Parker Bilal and me
I don’t recall the exact moment when I made up my mind to create a new persona for myself. It was an idea that grew over a period of several years. It emerged, I think, from the frustration of dealing with all the obstacles in the writing game. As most writers will tell you, the...
The lovelorn dictator
When one looks back on one’s life, it is often the smallest decisions that have had the greatest impact. Like the moment a colleague of mine showed me an ad for a job and said: “Look Peter, this is really you,” and I had to agree because for once I could match all the criteria...
The tiger who came to stay
The main character of my first novel, The Night Guest, is a seventy-five-year-old woman named Ruth. People often ask me how it was that I came to write a book about an elderly woman. I assume they ask this because I’m not elderly; this leap of imagination, from young to old, seems particularly hard to...
The author project
Graeme Simsion’s debut novel The Rosie Project tells the story of Don Tillman, a genetics professor with undiagnosed Asperger’s, and his awkward attempts to find love via a highly personalised psychometric questionnaire. Mark Reynolds fires off some questions about his mid-life reinvention as an internationally bestselling novelist, a transition that began when he sold his...
