Dinah Glover arrived in Tokyo to take up residence in a block ambitiously named Maison du Parc. The building was surrounded by concrete and clad in more concrete, pink and stuccoed. It was long and squat, like the egg casing of a huge insect. Dinah had come on a work visa sponsored by Saitama Denki...
I WAS APPROACHING ST. VITUS CATHEDRAL from the Old Castle Stairs. Night had fallen, and the first stars were appearing in a clear sky. The chancel – a black silhouette of columns, flying buttresses and pinnacles – rose before me. The castle’s courtyard opened up to my left. The place was deserted and so quiet,...
I WAS EIGHT WHEN I REALISED that stories were not simply magic; that they didn’t arrive into the world already formed. Like puppies or babies or films. Two months before that birthday, the very first non-Congress government had swept to power in India, and with it, the end of the Emergency which had suspended civil...
My third novel Hazardous Spirits is set in Edinburgh in 1923. The story follows Evelyn Hazard, whose husband Robert wakes up one day and announces that he can speak to the spirits of the dead. Like many strange tales, the idea for this novel originated during an unusual blind date. I arrived late to the...
IT’S THE LAST ONE IN THE VILLAGE. RUMOUR HAS IT she’s outlived most and chased away the rest, that’s how they talk about her in these parts, where her first name is all that’s needed: Ariane. According to the police report, she is ninety-two years old, and what I hope, as I park my car...
When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
Ana Sampson’s latest poetry anthology Gods and Monsters, illustrated by Chris Riddell and with a foreword by Natalie Haynes, draws together classic and brand-new mythological poems from around the world. With retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit myths, it includes poems from Neil Gaiman, W.B. Yeats, Kae Tempest,...
Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
The image is instantly recognisable to horror fans: a foreboding house, a darkened sky, a single illuminated window. Maybe a figure stands silhouetted against the window’s yellow glow. Maybe the house is in a state of disrepair – forked cracks at the foundation and creeping vines strangling the porch rails. To me, a lifelong lover...
I recently found myself on the horror side of BookTok, scrolling through video after video recommending “books that will rattle me to my core” and “scary fall reads” when something intrigued me enough to stop scrolling. A young man stared into the camera, carefully holding a book so that the viewer couldn’t immediately see the...
In the end, what does it matter who developed the photo? Why am I sifting through a time so far away, a moment that has already frozen and petrified, like a snail fossil in a stone among the billions of other stones that line the shore? I’d like to say a word in my defence,...
The library at the end of the passageway is larger than I expected, with rows and rows of bookshelves lining the walls and central area. Apart from a girl in a navy-blue apron behind the counter, who is scanning barcodes on books, there is nobody else in there as far as I can tell. I...
