Lore Segal: A life in stories
Lore Segal published her first Ladies’ Lunch story, ‘The Arbus Factor’ in The New Yorker in 2007, and the most recent, ‘Soft Sculpture’, in summer 2022. For her extraordinary new collection, published to coincide with her 95th birthday on 8 March 2023, she brings three new stories together into a sequence with earlier stories published in The New Yorker and elsewhere....
Ann-Helén Laestadius: Lost lands and lost lives
Ann-Helén Laestadius’ Stolen is a forceful story of a young Sámi woman battling to preserve the lifestyle and traditions of reindeer herders in Sweden amid a wave of torture and massacre of the animals on whose livelihood they depend. At the age of nine, Elsa witnesses the aftermath of the brutal killing of her favourite...
Robbie Arnott: Untamed nature
In the heat of a Tasmanian summer, with the world at war and his brothers away on secretive missions in the Pacific, 15-year-old Ned West traps, shoots and skins rabbits to sell their pelts in the hope of saving to buy a small boat. As his father and older sister struggle to keep the riverside...
Ambreen Razia: Mums and daughters
Ambreen Razia’s remarkable new play Favour at the Bush Theatre, co-directed by Róisín McBrinn of Clean Break and Sophie Dillon Moniram, plots the troubled return to family life of single mum Aleena (Avita Jay) after a spell in prison. While she was away, her teenage daughter Leila (Ashna Rabheru) was in the care of her...
Ned Beauman: Intelligent life
Ned Beauman’s Venomous Lumpsucker is a dazzling satire of a near-future Europe in which global warming-led species decline has become accepted as an unfortunate by-product of economic growth. A system of ‘extinction credits’ means that any company set to gain financially from operations that happen to wipe out an endangered species simply has to purchase...
Rosa Rankin-Gee: Planet Thanet
Rosa Rankin-Gee’s widely acclaimed second novel Dreamland is a thrilling and tender portrait of a disenfranchised community in a near-future Margate ravaged by climate change and economic collapse. With the seaside town’s now-defunct amusement park as a backdrop, she deftly tackles the political and personal landscape of financial disparity, poor housing, extremism, the climate crisis...
Chloe Lane: To any lengths
Twenty-six-year-old Erin Moore has just been dumped by her gallery-owner boss after his wife discovered them in a compromising clinch in a store cupboard. She heads north from Auckland to spend the Queen’s Birthday holiday weekend at the old family farmstead, where her mother Helen, terminally ill with motor neurone disease, is being cared for...
Caryl Lewis: Storms and wonders and cultures on the edge
Sister and brother Nefyn and Joseph, both in their mid-twenties, have lived alone in an isolated cottage on a clifftop on the coast of West Wales for a decade since their fisherman father was lost in a sea storm. Nefyn has a close affinity to the workings of the tides, and over time has built...
Lara Williams: Lost at sea
Lara Williams’ second novel The Odyssey is a biting satire about a generation cast adrift by the gig economy. Its narrator Ingrid joined the crew of a luxury cruise ship to flee from a failed marriage, and is buffeted between ever-changing roles within a mind-numbing micro-economy which sees her faking it as anything from a...
Maggie Gee: Being human
Hot on the heels of the release of a 20th anniversary edition of her Orange Prize-shortlisted The White Family, Maggie Gee’s latest novel The Red Children is a sequel of sorts. But the sometimes stark realism of the earlier book, which was motivated by her grief, anger and shame over the murder of Stephen Lawrence,...
Christina Patterson: Five lives
When her brother Tom died suddenly at the age of 57, it fell to Christina Patterson, as the last surviving member of the immediate family, to clear out his house. She diligently sorted through the papers Tom had gathered, including all manner of diaries, letters and photographs left by their parents and older sister Caroline....
Saša Stanišić: Alternative visions
Saša Stanišić was born in former Yugoslavia in 1978 to a Bosnian Muslim mother and Serbian Orthodox father. Their flight into Germany at the outbreak of the Bosnian War in 1992 was fictionalised in his debut novel How the Soldier Repairs the Gramophone (Luchterhand Literaturverlag, 2006; Grove Atlantic/Weidenfeld & Nicolson, 2008; Pushkin Press, 2015, translated...
