After all that we were, what shall we be?
The war that would slash modern history, our contemporary awareness of humanity, into before and after, leaving a gaping void between the two states, seems not to have happened at all in the opening pages of Annette Hess’ ambitious and complex debut novel The German House. It is 1963, the year of Hitchcock’s The Birds,...
Wraiths of neither good nor evil
With the hindsight of history, with the raw, stinging feeling on the skin of one’s conscience of the viciousness and harrowing desolation that was spawned by Nazi rule and WWII, it may seem that there was for Germany a distinct separation between a brutal, all-obliterating moment of total guilt and a redeeming ‘moment after’ of...
