Through a mirror darkly
Well before Shakespeare made the feeling into one of the most celebrated tenets of art as well as life, the Greeks had already been there and done that. The principle of “all the world’s a stage” was for them the clearest, most perfect prism through which to analyse the full, multi-hued spectrum of human experience,...
Lives in black and white
If we seek truths, we should look into fairy tales; at least this seems to be Meike Ziervogel’s advice, as she begins her novel with the all-familiar “Once upon a time…” It is still hard for Germany to search for truths, the many sore, dark, unspeakable looming truths behind the period of National Socialism, the...
Civil rights and wrongs
When James Baldwin died in 1987, he left behind 30 pages of letters titled Notes Toward Remember This House, an unfinished manuscript about the lives and deaths of three of his friends – Medgar Evers, Malcolm X and Martin Luther King, Jr. – civil rights activists, all of whom were assassinated in the space of...
On borrowed ground
It is fair to say that the ancient Greeks gave to the literary imagination some of the greatest female characters, that they created, even, the very genre of a female protagonist. In a world presumed to be dominated by men, male thought and undeniably masculine politics, it is women who often offer the starkest, most...
Land of the bens and the glens
The Scottish clan that I belong to – or would belong to if it were now anything more than a sentimental myth – was broken a great many generations ago by a party of MacDonalds, who hunted down the last chief of my clan, captured him, refused him mercy, saying that a man who had...
Cloak and dagger à la Russe
The family of Governor Yegor von Rasimkara, we are told early in Ricarda Huch’s The Last Summer, have only one defect all told: that of “belonging to an era that must pass” – in order to make room for the one impatiently keen to take its place. A generally endearing walrus of a father in...
A total portrait of the artist as an absence
Elena Ferrante is traditional in the most radical, boundary-dissolving ways; conventional with subversive fervour and delicately powerful talent. In Frantumaglia: A Writer’s Journey she proves above all the invincible strength of her authorial translucence, the rock-solid presence of her so-called anonymity, which she invariably corrects as being a determined gesture of absence. The word frantumaglia,...





