Flannery O’Connor: ‘Good Country People’
As both a reader and writer of stories, I love, perhaps more than any other quality of the form, the daring that defines the very best short stories: that breathtaking break with expectation, or subject matter, or reality as we know it. No story writer, it seems to me, had – or has – a...
Lorrie Moore: ‘How to Be an Other Woman’
It is risky to return to anything that one loved thirty years ago – a boyfriend, a city, an outfit. But I had a hunch that Lorrie Moore’s ‘How to Be an Other Woman’ would hold up pretty well, although it now feels distinctly historical with its references to office work in which the clerical...
