"To write anything worth reading you have to put everything you have into every sentence. There can be no lazy thinking, no clichés, no borrowed tropes, no third-hand experience; there can be no hiding.” Miranda Darling
Posts tagged "Gallic Books"
Into the void

Into the void

Walk without thinking. We have left colour behind. Everything is grey, even the green of the lichen. The path, bordered by slopes running with stones, climbs from the bottom of an immense furrow. If the mountain wanted to lure us into a trap, this is exactly how it would go about it. Or think about...
Singular museums

Singular museums

This list comes out of writing Little, a novel about Madame Tussaud, whose waxworks on the Marylebone Road has always seemed to me a museum about one person. Marie Tussaud lived through the French Revolution, and many of the people she cast she actually knew. Her wax figures represent the different stations of her life:...
Once in Paris

Once in Paris

The call comes when he least expects it. He’s tidying away what’s left of lunch – some cold meat wrappers, a crust of baguette – when the phone rings, in that short-tempered peremptory way machines have. He almost doesn’t answer it; he’s been fending off unwanted offers of insurance, unlimited broadband, crates of discount wine...
Under the hammer

Under the hammer

It was late spring, and for several weeks I had been trying to make modest inroads into the living room. Bit by bit, over several years, my wife had succeeded in exiling my fabulous collections to one room of our apartment and now the ‘study’ was where all my treasures were stored. But I had...
In the shadow of Vesuvius

In the shadow of Vesuvius

My starting point for Hell’s Gate was a desire to tell a story about an actual descent to the underworld, a person venturing into the kingdom of the dead to find someone. Could today’s readers still believe in such a thing, I wondered, and was their thirst for the epic and mysterious strong enough to...
The river of tears

The river of tears

The doors closed again. Matteo found himself looking over a huge open expanse. He was standing on a plain covered in black grass. It looked like those fields that Tuscan farmers burn in summer to fertilise them. Nothing else was growing as far as the eye could see except for that short grass, black and...
I, Octavio

I, Octavio

The day I finished my degree in modern literature at the Sorbonne in May 2010, I was called before a board of examiners to present my dissertation on the ‘engaged literature’ of the interwar period. After I had spoken for three hours, I was awarded my MA. I went off to celebrate with friends from...