Lamentation
This son has become so light, wasted away literally to skin and bones, his legs thin as sticks, so light that his mother can hold up his torso effortlessly on the flat of her hand… Extract from Wonder Beyond Belief: On Christianity no longer available online. Navid Kermani is a writer and scholar who...
The life-lie
In 1990 Tony Harrison shocked and riveted London audiences with his production of Trackers of Oxyrhynchus, which pits an ancient text, Sophocles’ satyric play Ichneutae, against the inevitably objectifying and alienating mechanism of historical analysis. With unflinchingly raw social realism, Harrison not only raised questions of high and low art, of the validity of the...
Alpine dreams
The German language is a wondrous thing. Among its many mischiefs and perplexities, the word for ‘nightmare’ must be a recurring source of dismayed jollity: an Alptraum is not a dream on an idyllic Alpine peak, tarn or flowery green meadow gone awry, but a night-time experience never to be forgotten – if survived. It...
Cloak and dagger à la Russe
The family of Governor Yegor von Rasimkara, we are told early in Ricarda Huch’s The Last Summer, have only one defect all told: that of “belonging to an era that must pass” – in order to make room for the one impatiently keen to take its place. A generally endearing walrus of a father in...
Something burned here
The cabin was on a steep slope. It was as remote as it was old. An alpine hut from the eighteenth century. The bathroom had been added at a later date, but the living room was still heated by a wood-burning stove. The snow lay heavy on the pitched roof and on the railing at...
Elena Lappin: Secrets and lives
In Elena Lappin’s novel The Nose, her protagonist Natasha Kaplan, a young New Yorker in London editing an Anglo-Jewish magazine, discovers more than she’s bargained for when in the course of her new job she ends up uncovering secrets about her own family’s past. “I thought I had invented and imagined it all,” writes Lappin...
