The life-lie
In 1990 Tony Harrison shocked and riveted London audiences with his production of Trackers of Oxyrhynchus, which pits an ancient text, Sophocles’ satyric play Ichneutae, against the inevitably objectifying and alienating mechanism of historical analysis. With unflinchingly raw social realism, Harrison not only raised questions of high and low art, of the validity of the...
It is us they burn
In the course of the 2005 youth riots that broke out across France, thirty-two libraries were burnt down or so badly ravaged that their contents had to be thrown away. If one looks at the period covering 1996 to 2013 the tally rises to more than seventy. Libraries come under attack in the banlieues again...
Alpine dreams
The German language is a wondrous thing. Among its many mischiefs and perplexities, the word for ‘nightmare’ must be a recurring source of dismayed jollity: an Alptraum is not a dream on an idyllic Alpine peak, tarn or flowery green meadow gone awry, but a night-time experience never to be forgotten – if survived. It...
Lives in black and white
If we seek truths, we should look into fairy tales; at least this seems to be Meike Ziervogel’s advice, as she begins her novel with the all-familiar “Once upon a time…” It is still hard for Germany to search for truths, the many sore, dark, unspeakable looming truths behind the period of National Socialism, the...
Cloak and dagger à la Russe
The family of Governor Yegor von Rasimkara, we are told early in Ricarda Huch’s The Last Summer, have only one defect all told: that of “belonging to an era that must pass” – in order to make room for the one impatiently keen to take its place. A generally endearing walrus of a father in...
Steven Uhly: A life of encounters
The chance to converse with Steven Uhly is not just a meeting but a real and even formative encounter, a moment of wisdom, laughter, serious and relaxed humanity. He is someone with a very distinct presence, ineradicable and self-effacing at the same time, poetic and materially concrete. He exudes indomitable strength and very serene, reflective...
Wraiths of neither good nor evil
With the hindsight of history, with the raw, stinging feeling on the skin of one’s conscience of the viciousness and harrowing desolation that was spawned by Nazi rule and WWII, it may seem that there was for Germany a distinct separation between a brutal, all-obliterating moment of total guilt and a redeeming ‘moment after’ of...
The hydra of memory and forgetting
“If you have no wounds, how can you know you are alive?” wrote Edward Albee in 1998’s The Play About the Baby. Steven Uhly’s Kingdom of Twilight could be said to be all about physical, psychological and historical wounds and about the true meaning of knowing oneself to be alive – the true worth of...
Waves of joy and doubt
During the Second World War Astrid Lindgren, creator of Pippi Longstocking, was an aspiring writer living in Stockholm with her family, working in a top secret job at the Swedish Mail Censorship Office. Horrified and fascinated as world events unfolded, she kept a meticulous diary full of newspaper clippings (and occasional snippets from the letters...
She who is not her
I have no idea what time it is. Someone is lying beside me. It’s not her. My head is not my head. She who is not her is actually quite pretty. I’m still drunk. She who is not her is still here. I pull away the covers. She who is not her is still quite...
Greetings from Fürstenfelde
The vixen lies quietly on damp leaves, under a beech tree on the outskirts of the old forest. From where the forest meets the fields – fields of wheat, barley, rapeseed – she looks at the little group of human houses, standing on such a narrow strip of land between two lakes that you might...