The soothsayer
A courtyard, a fountain, a pond with small grey fish. Around it walls, columns, a cloister. At its centre a staircase leads all the way up to the four stoutest columns bearing a roof inscribed with golden lettering. Flame, undo that which is ephemeral. Liberated is the eternal. I climb the steps, pause in front...
The life-lie
In 1990 Tony Harrison shocked and riveted London audiences with his production of Trackers of Oxyrhynchus, which pits an ancient text, Sophocles’ satyric play Ichneutae, against the inevitably objectifying and alienating mechanism of historical analysis. With unflinchingly raw social realism, Harrison not only raised questions of high and low art, of the validity of the...