Pulling it all together
Writing has always been my thing. Back when I was a crime reporter in the US, picking my way across murder scenes and figuring out how to get blood out of my shoes, I was there because I wanted to write. And when I worked in communications for the British government, trying to persuade spies...
Spooky houses with eerily lit windows
The image is instantly recognisable to horror fans: a foreboding house, a darkened sky, a single illuminated window. Maybe a figure stands silhouetted against the window’s yellow glow. Maybe the house is in a state of disrepair – forked cracks at the foundation and creeping vines strangling the porch rails. To me, a lifelong lover...
Murder, mystery and mind games
The time when writers regarded television sceptically – either as a threat to the storytelling dominance of novels or even, in some cases, as a form of lowbrow entertainment – seems far away now. It’s hard to believe that as recently as David Foster Wallace, writers were expressing anxiety about the relationship between fiction and...
Embracing the dread
Horror novels have an incredible ability to take us out of our lives and excite our imaginations. Reading a novel is great exercise for the mind as we build images in our heads of the worlds on the page, and this becomes even more pertinent when we read horror and our brains start to spawn...
Mark Edwards: Proverbial needle, proverbial haystack
In No Place to Run’s opening sequence, Francesca Gilbert is seventy-five years old, mourning the recent loss of a husband, and six hundred miles into her train journey home. Dawn is breaking across a clearing in a Northern California forest when Francesca sees a young woman with “vivid auburn hair” being chased by a man....
To do or not to do
The Irish Times features writer, failed rock star and author of OK, Let’s Do Your Stupid Idea reflects on some significant life, career and reading choices, names some of his literary, comedy and comic-book influences, and grapples with organising a writing regime and grasping an idea before it breaks free. Where are you now? In...
All in the mind
At the risk of sounding like valedictorian delivering a graduation speech, a ‘psychological thriller’ is defined on Wikipedia as a thriller “which emphasizes the unstable or delusional psychological states of its characters.” As definitions go, that’s good enough for me. In general, I just know a psychological thriller when I read one. Most whodunits, at...
Hauntings on the home front
If my recent reading list is anything to go by, crime novels that touch on the paranormal are growing in popularity. Often set in houses that evoke an atmosphere of fear and dread, many of these storylines have elements found in Gothic horror. The reader is left to decide whether the house is truly haunted...
Terrifying tales
Children are the lawless adventurers in our midst, semi-detached from adult society. Eventually – in most cases – they’ll be reined in and civilised. Until then these creatures are loose in the world – raw, unformed and vulnerable. All of which makes them an ideal focus for fiction. The books on this list are not...
Writing on with a joyful cackle
Perhaps Stephen King skimmed over the fine print when he signed his deal with the Devil to become one of the most successful authors of all time. Maybe the streetlights were too dim on that gloomy night at the crossroads, and he missed the clause that stated: “Henceforth, upon expiration of x months on worldwide...
Ghosts that don’t say boo
My new novel A Reunion of Ghosts tells the story of three suicidal sisters whose great grandfather played a role in mass killings in both World Wars. Given such dark subjects, readers tend to express pleasant surprise upon finding that the novel is laced with humor. This reaction makes me happy. A smaller contingent of...
