‘Love you, man’
Will Schwalbe’s multi-decade memoir We Should Not Be Friends kicks off at Yale in the early eighties, when the author is selected for membership in a secret society (no, not that Yale secret society) for his senior year. Looking back at his initiation into the group, Schwalbe describes his impressions of his fellow inductees; one in particular, wrestling-team star...
Unfinished business
There is a singular sense of feverish neutrality in Thanassis Valtinos’ writing. A cinematic poise, a travelling eye, a dramatist’s instinctive flair for tension, voice, climax, the lull that contains more menace than any thundering explosion; a perpetual game of darkness and light, an omniscient narrator who never divulges all he knows. Valtinos was born...
Mr Cunningham’s feelings for snow
Michael Cunningham’s best-known work is the Pulitzer Prize-winning sensation The Hours, about three women whose lives intersect across the 20th century. His latest novel features another trio of characters, but this time their lives are more directly entwined. The Snow Queen opens in 2004 on a wintry New York day as Barratt Meeks, a 30-something...
Challenger deep
When the jellyfish came, we woke everyone up. They floated down on the ship like snow and even Lev came into the sail to press his face on the periscope. The glow was dim but we could see our arms and outlines and after a minute we stepped away from the glass to look at...