The land where Saturn reigned
“Each man is in his Spectre’s power” – these are words by William Blake that Marcello Fois deliberately places as the inscription over the gates of heaven or hell that was Sardinia as a private space of memory and genealogy, and as a very public constituent part of Italian society and history, a microcosm to...
Illustrations for a life unlived
“When I was twelve, other people thought I was a prodigy who dazzled and disturbed… by the time I was twenty, I’d learned to deride the facility of my hands as if it were a weakness.” Daniele Mallarico, who speaks these words, is a renegade Neapolitan, an old man on the edge of the precipice...
With love and squalor
Anna Maria Ortese’s Evening Descends Upon the Hills is a book that, Atlas-like, seems to bear on its shoulders the weight of the most overwhelming human sorrow – but also the burden of humanity’s “small, wretched acts of violence, an abyss of voices and events, tiny terrible gestures”, the unspeakable social stains and realities to...
Glimmers of destiny
In Mircea Eliade’s Gaudeamus, yet another precocious, pernicious, prescient adolescent, full of a sense of predestination and the promise of literary greatness, marches out into the world to audaciously forge life’s meaning in the smithy of his soul. In a narrative where Goethe’s Teutonic Young Werther and Wilhelm Meister meet a more Central European Stephen...
Piercing prisms and Persian perspectives
“The truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate but cohesive. Imperfect yet sincere.” Thus begins a compulsive, fiercely resisted, yet inevitable journey into memory in this in many ways extraordinary novel – the...
The solid case for ambiguity
At a moment of writers’ block, “the United Kingdom came to my rescue,” declares Javier Cercas in The Blind Spot: An Essay on the Novel, that is based on his Weidenfeld Lectures at Oxford in May 2015. The United Kingdom is in fact The Telegraph, or to be precise, an article by Umberto Eco, quoting...
Six white robins
The Beggar and Other Stories is a very unusual collection, and in fact an arrangement not directly intended to appear as such by its author. Its compiler, Gaito Gazdanov’s newest translator Bryan Karetnyk, has orchestrated a truly unconventional array of layers of both fiction and reality, of narrative experiences and of perspectives of vision and...
Answers without questions
The Dictionary of Animal Languages is a single-voice narrative that moves concurrently on two planes of being; it stretches itself over dual dimensions of time and space, and lays claim on a bifocal understanding of the self. Not a dichotomised self, but a fully alert, almost live-wire vivid, split consciousness, whose strands interlace ineluctably, creating...
Recapturing infinity in the present
“Am I the same person?” asks Fela Rosenbloom, whose narrative of her early life in Łódź, and her internment in no fewer than six German labour and concentration camps, prefaces her husband’s longer, very different account of the 20th century. Miracles Do Happen is a joint memoir of war, Jewish life, community and identity, survival...
Crying wolf
Millennial moments are full of auguries and momentum, real promise or sly illusions. They trick us into a sense of tabula rasa, into an exalted feeling of weightlessness from the past and its responsibilities, its phantoms and nightmares, but also from the effort to match and sustain its legacy of greatness and wisdom. It is...
Glimpses of unfamiliar France
Glimpses of Unfamiliar Japan is the title of an idiosyncratic account of Japan as a country, as a philosophy, as a world and way of life, as the seductive Other seen through Western eyes. It was written by a rather remarkable man, Lefkadio Hearn (who became Koizumi Yakumo), now mostly forgotten. It is an intimate...
Riddled words, puzzled lives
There is something deliciously provocative about a work of literary fiction that begins with the statement “If it sounds like writing, rewrite it”. It is a pronouncement that holds the reader in irresistible tension: will this prove to be the most flawless of narratives or be exposed instead as the most bombastic of bathetic ironies?...
