I meet Claire Messud at the London Review Bookshop one sodden evening in September when she is London to promote her latest novel, The Burning Girl. Her normal speaking voice is gentle anyway, but tonight she is speaking particularly softly so as not to disturb book browsers in the shop’s basement. I’m conscious we don’t...
This son has become so light, wasted away literally to skin and bones, his legs thin as sticks, so light that his mother can hold up his torso effortlessly on the flat of her hand… Extract from Wonder Beyond Belief: On Christianity no longer available online. Navid Kermani is a writer and scholar who...
When I first came across Jia Pingwa’s Gaoxing (高兴: Happy) in 2007, I felt an immediate empathy with this handful of migrant workers collecting the trash of a sprawling Chinese metropolis, and being treated like trash too. In the novel, now published as Happy Dreams, Happy Liu and his fellow villager Wufu arrive in Xi’an...
I sat Yichun on a park bench while I hunkered down to crack the walnuts with a stone. Her face was the same color as the flowers nearby, and I went into a sort of trance as I bashed away. One must have had a mind of its own because, after I struck it, it...
Forget thrillers. Forget horror. Forget (forgive me) crime, and historical novels, and all the rest. For me, if you want a page-turner, Icelandic sagas are where it’s at. Sagas are the novels of the medieval world. By which I mean, as prose narratives go, they’re miles ahead of anything else being written in medieval Europe:...
The consultant is still talking, fingertips poised on his desk as if he is about to play a concerto. Unsettling minor-key melodies fill the room, yet I feel nothing while I weep. Palliative is a pretty word. It masks a horror that should not wrap its spindly legs around my three-year-old. A greying moustache hangs...
Until not so long ago, a hand-made quilt of one’s own was one of the most prized possessions a young woman could have: part of her trousseau, a link with her past, a vision of her future. It offered a reflection of who she was, culturally and ancestrally, of who she wished to be, creatively...
Teaching creative writing is a pain in the ass. You bust a gut all year to put on thoughtful classes, to challenge, coax, and inspire the best work, you read reams and reams and reams of work in progress and then a few flinty, original pieces which give you hope, only to be met by...
In 1990 Tony Harrison shocked and riveted London audiences with his production of Trackers of Oxyrhynchus, which pits an ancient text, Sophocles’ satyric play Ichneutae, against the inevitably objectifying and alienating mechanism of historical analysis. With unflinchingly raw social realism, Harrison not only raised questions of high and low art, of the validity of the...
Lviv, also known as Lwów and to others as Lvov, as Antonia Lloyd-Jones reminds us in her translator’s note, or to some as Lemberg and even Leopolis, is a city with a rich enamel of history – it is almost majolica-like in its many facets, colours, hues and patterns, in the broken splinters of its...
I met the cat in a bar. And he wasn’t just any cat, the kind of cat that likes toy mice or climbing trees or feather dusters, not at all, but entirely different from any cat I’d ever met. I noticed the cat across the dance floor, somewhere between two bar counters and behind a...
Historical fiction or fiction inspired by real events often runs the risk of yielding to the temptation of aggrandising one’s subject, of over-valorising the kernel of truth for the sake of effect and novelty, of the triumph of a first discovery. Like Arrowby in Iris Murdoch’s The Sea, The Sea, the author, as much as...
