American stories are road stories. We are aware that others do road stories. We are aware that others did them before us. We read Dante, some of Cervantes, and we saw Mad Max twelve times. But no other people set such stock by their road narratives. Nobody churns out so many, or believes them so...
On a sunny summer weekday afternoon, Ed rode his bike to a head shop called Piece of Mind and bought a one-hitter that looked like a realistic sculpture of a cigarette. Ed was twenty-eight years old and single. He was thin and just over six feet tall. He had dark hair cut short and he...
How much was the thermometer worth? Five dollars? Ten? It wasn’t worth anything, but I reached into the industrial mixer to grab it, before the mixer, which I had just started, crushed the worthless thermometer. When I reached in, the mixer grabbed me, held my hand, and crushed it. The mixer crushed my hand efficiently...
As a devourer of fiction, I tend to swallow untruths whole. If a story can hold my attention, if it can make me care deeply enough about its characters, then my disbelief becomes a feather which I will gladly suspend for as long as it takes to see them through their trials. So Gregor Samsa...
Julia Rochester’s debut novel The House at the Edge of the World is longlisted for both the Baileys Women’s Prize for Fiction and the Desmond Elliott Prize for Fiction 2016. It’s a darkly comic and constantly surprising psychological mystery about comforts and destructive forces among close relatives. A recent family get-together is dominated by foul weather,...
A few weeks ago, when I was in London to present my book about Moscow, I was asked – like many a debut author – how much of the story was based on my own experience. This was just after my first public reading, I was still shaken, and I blurted out a clumsy response...
The Sunday Times EFG Short Story Award shortlist has been announced, and we’re delighted to share an extract from each of the stories. The six selected authors – three women and three men from five countries and three continents – also reflect the award’s stated aim to celebrate the best emerging writers alongside established names....
It seems to me that if you’re a critic wanting to make a name for yourself in a particular field, there’s one surefire way to accomplish that goal. Film critics, quit pouring your heart and soul into that piece that will forever alter the way we look at Citizen Kane. Music-mag columnists, forget about the...
Patrick Modiano has often said that he is writing constantly, persistently, invariably but with almost infinite variations, the same book. And at the centre of each of his novels, almost like a reverberating echo or clinging shadow, is the story of himself in search “for mystery where there was none”, for the “transparency” (of memory,...
The 2016 Wellcome Book Prize shortlist will be tricky to winnow down as the judges, led by Joan Bakewell, expressed their deep enthusiasm and passion for all six titles. “The shortlist reflects what has moved and inspired us most about books that deal with intimate and often complex matters of the human body and human...
Ayelet Gundar-Goshen’s debut novel One Night, Markovitch, published last year, is a funny, sensual and unshakably poetic reimagining of a true-life story in which an unremarkable man agrees an arranged marriage to a beautiful woman, then reneges on his promise of a quick divorce. In her second, Waking Lions, the mood darkens as she examines...
Last week I was in Itanagar, the capital of Arunachal Pradesh, a state in the northeast of India that most Indians are, much of the time, only dimly aware of. It’s nearer China than it is to Delhi. I was lucky enough to be there as a jury member for a festival of films from...
