A laughing boy and music from a cracked kettle
Elizabeth McKenzie is the senior editor of the Chicago Quarterly Review and the managing editor of Catamaran. Her novel The Portable Veblen was longlisted for the 2016 National Book Award for fiction, winner of the California Book Award, and a finalist for the Women’s Prize for Fiction. Her collection Stop That Girl was shortlisted for The Story Prize, and her novel MacGregor Tells the...
Keeping mum
In Ainslie Hogarth’s gripping and darkly comic modern gothic novel Motherthing, Abby Lamb’s mother-in-law Laura’s endless sniping and put-downs come to an abrupt end when she slashes her wrists in the family basement. But then Laura’s ghost takes up the mantle, and begins to terrorise Abby with still greater venom, just as Abby is left to cope...
Pompeii, poverty, power and purpose
In early September, Elodie Harper’s The Wolf Den (May 2021), already shortlisted in the Pageturner category of the British Book Awards, was announced as the winner of the 2022 Goldsboro Books Glass Bell Award. The novel, the first in a trilogy, follows the fortunes of Amara, a once-beloved daughter who has lived as a slave...
Precious weirdness
Claire Vaye Watkins’ I Love You, But I’ve Chosen Darkness, is an immersive, transgressive and darkly funny work of autofiction. Its narrator, a writer named Claire Vaye Watkins, leaves her husband and newborn baby daughter to go on a book tour, which transforms into a wild romp away from the confines of marriage and motherhood,...
Madness, lies
Graeme Macrae Burnet’s fourth novel Case Study is an inventive, archly funny meditation on mental health and the nature of self, in which a young woman presents herself under an assumed identity as a patient to a charismatic, self-taught psychotherapist called Collins Braithwaite, who she believes may have encouraged her sister’s suicide. Set chiefly in...
Staying in, not slowing down
On the release of Both of You, her twenty-first novel in as many years, the author of the Number 1 bestselling Lies Lies Lies and Just My Luck reflects on keeping going during lockdown, some of her literary influences and heroes, and the routine and discipline that always underpin the creative process. Where are you now? Right...
Larkin, Sebald and the backs of envelopes
Jessie Greengrass burst onto the literary scene in 2016 with her prize-winning story collection An Account of the Decline of the Great Auk, According to One Who Saw It, and her debut novel Sight (2018) was shortlisted for the Women’s Prize. Her second novel The High House is a stunning investigation of the extraordinary and...
Thrills and chills at the summit
Sarah Pearse’s debut novel The Sanatorium, a Reese’s Book Club pick and an instant Sunday Times and New York Times bestseller, is a gripping contemporary gothic thriller about a serial killer on the loose in the Swiss Alps. Detective Sergeant Elin Warner has taken time away from her job after a traumatic case has left...
Runaways and free spirits
“Every landscape needs a figure in it, perhaps especially a figure that is only intermittently visible, that is mysterious and alert,” observes a gardener in Jane Smiley’s The Strays of Paris who spies a beautiful racehorse roaming freely in the middle of the French capital. The racehorse is Paras (short for Perestroika). She became a...
All the love in the world
“It is nice when two people come together in the universe,” Huma Qureshi remembers telling her young son in the opening pages of How We Met. He promptly asks how she and his dad Richard came to be together, and so begins Huma’s story of her quest for married love. It’s a short book –...