Beyond imagining
Willa Cather in Death Comes for The Archbishop was able to create imaginary conversations and actions that gave her main character (based on Father Jean Marie Latour) and story depth and motivation, metaphors and textures, a sense of fullness and believability, that may not have been accessible to her had she wrote the book as...
Deep roots, rich dirt
There is a passage in Jean Toomer’s marvelous hybrid novel Cane that describes a woman, sitting in a theater in a northern city, whose roots, likely unbeknownst to her, sink deep through the floor and travel south. The image is fraught, of course, because the woman being described is African American and Toomer, who was...