Holding on to the plot
“My marriage ended because I was cruel. Or because I ate in bed. Or because he liked electronic music and difficult films about men in nature. Or because I did not. Or because I was anxious, and this made me controlling. Or because red wine makes me critical. Or because hunger, stress, and white wine...
Nikhil Parmar: Spirited, inspired and fundamentally hilarious
Nikhil Parmar’s acclaimed debut play Invisible returns to London’s Bush Theatre for a limited run before transferring to New York as part of the 2023 Brits Off Broadway festival. The provocative one-man show is a darkly comic tour-de-force in which an underemployed actor (and overemployed dealer) takes drastic steps to get noticed. I fire off...
In Fleabag’s head
Phoebe Waller-Bridge’s Fleabag gave us the best TV comedy entrance in living memory and much more besides, and the great news is there’s now a brand new way to binge on the entire show as Fleabag: The Scriptures collects the full shooting scripts from series 1 and 2, together with new insights and comments from...
Pennyfeather is sent down
Evelyn Waugh’s sparkling college satire Decline and Fall has been made into a three-part BBC One series starring Jack Whitehall, David Suchet and Eva Longoria, adapted by James Wood. As Penguin Classics publishes a special tie-in edition, we’re delighted to present an extract from the beginning of the book to remind readers why it’s remained...
Miriam Elia begs to differ
Artist and satirist Miriam Elia’s Ladybird-style spoof We go to the gallery was one of the self-made hits of 2015. It attracted both the ire and the opportunism of publishing giants Penguin, who own the copyright in the original, long-overlooked series, and tried to quash Miriam’s work while rushing out their own adult Ladybirds. Now,...
