Outrages
In her latest engagement with the classical tradition, a self-proclaimed radical rewriting of the story behind the Homeric epics, Natalie Haynes is openly outraged and angry. Indignant and righteous, she is a strong, vocal, almost virago-like warrior with a declaredly urgent, even vital cause: to resurrect and reinstate the ancient women in the attic, to...
White dreams
In 1685, Louis XIV would sign the Edict of Fontainebleau, revoking an earlier royal decree that had accorded to any French Protestants who had survived the St Bartholomew’s Day massacre the freedom to practise their faith without persecution. The apparent reason given by the Sun King and his court was that the Huguenots were strong-headed,...
Missing person
One day ten years ago, during a summer of no rain, I sat in a rented room in the south of Xi’an listening to a man from my old village as he poured out his story. He stuttered so his story came out in fits and starts. Behind the bed curtain, his wife was sobbing...
New travels with myself and another
Laura Beatty’s new book Lost Property, a nearly sublime hybrid between a novel and a philosophical essay, begins with an England in a state of utter crisis – social, humanitarian, political, cultural, a crisis of identity, values, place, purpose and meaning. Beatty’s heroine describes herself as tottering between being and non-being, reason and insanity. “At...
Coming in from the cold
My father earned one of the highest security clearances attainable in the US Air Force. The true nature of his work was kept secret from myself, my siblings and my mother. In hindsight, it must have been difficult to come home in the evenings unable to discuss the events of the day. There must have...
A vision of eternity
There are infinitely more than fifteen ways of looking at Dante – we can see him as a historical figure, a radical maverick, the conscience of a Church and a State in dire crisis. He is the writer of poetry that many have come to see as the ultimate representation of the sublime, as well...
Polar bears in Auschwitz
“When I was in second grade, I found a piece of paper on my desk with the words, ‘You are a Jew’. I went home and asked: ‘Mum, what is a Jew?’ She explained that people have different religions, Christians, Protestants and Jews in Czechoslovakia. I said: ‘And we are Jews?’ The answer was a...
A complex complicity
“I’ve forgotten such a lot. Most of it, really. Certain things stick of course, although I’ve no idea why. I don’t understand how it works. I read something and then I go across the room to check what’s for dinner and completely forget what I’ve just read. I think, wait a minute, I’ve only just...
Man the measure
Back in the roaring Sixties and Seventies, literary criticism and especially the philosophy of literary aesthetics and of socio-political analysis through literary texts acquired a distinctly ‘cool’ status. At last, academia was coming out of the dusty cupboards, climbing down from its ivory towers and marching into the streets arm in arm with the most...
A paean to the death of Central Europe
Józef Wittlin, like Homer’s Odysseus whom he so much admired, was a man of many minds, human experiences, geographical and national homes. Born in Galicia, then part of the Austro-Hungarian Empire, he would come to be hailed as one of the most important voices of a new-born independent Poland. A Jew by birth, a Christian...
Visions and monsters
The Monstrous Child, which has just completed a very successful run at the Royal Opera House’s Linbury Theatre, is one of the first and most audacious examples of a new genre: highly evocative classical opera especially written for teenage audiences. Adapted from the YA novel of the same name by Francesca Simon with music by...
You didn’t understand…
In May 2016, Gresham College in London hosted a symposium on the subject of ‘Cultural Heritage and War’. Chaired by Professor Tim Connell, it featured Sir Derek Plumbly, speaking on British and American policy and the temporal lapses between historical awareness and political action, Dr Elisabeth Kendall, discussing ‘poetry as war’, ‘poems as swords’, and...
