Terence Davies: a celebration
A MAJOR RETROSPECTIVE of one of British cinema’s most singular filmmakers, Love, Sex, Religion, Death: The Complete Films of Terence Davies is an extensive season of film screenings at BFI Southbank and beyond. Programmed by BFI Chief Executive Ben Roberts, providing a comprehensive journey through Davies’ body of work, the centrepiece is a UK-wide theatrical...
Connecting with lost souls
My third novel Hazardous Spirits is set in Edinburgh in 1923. The story follows Evelyn Hazard, whose husband Robert wakes up one day and announces that he can speak to the spirits of the dead. Like many strange tales, the idea for this novel originated during an unusual blind date. I arrived late to the...
Bit by bit by bit
What happened? Everyone asked the question, had been asking since the election. They asked while watching the news, that storm of headlines, jump-cut footage of marches and speeches and hand-sharpied cardboard, an endless, swirling blizzard – a siege, really – of protests and counterprotests, action and reaction, people screaming at one another in the street,...
The malediction of Minerva
The story of the passionate last affair in Lord Byron’s life, a culminating point for many of his erratic, errant motion through truth and illusion, has always held a particular fascination for scholars; it has caused vocal perplexity to his admirers and deep-felt sighs of ‘if only’ to the many women (and men) who loved...
A broken wing
When, towards the end of her life, Edith Wharton named her five personal favourite works among her fiction, one short novel featured on the list: Summer. Published in 1917, Summer was the most important work the writer produced during the years of the First World War. Despite Wharton’s own judgement, however, Summer has never found...
Ghosts of New York
I have an American heiress to thank for leading me to Edith Wharton. I was a teenager – lank-haired, history addict, eye for drama – and I was visiting Blenheim Palace with my parents when I caught sight of a creature from the Gilded Age. Consuelo Vanderbilt, wife of the 9th Duke of Marlborough, looked...
Rereadability unbound
I’d like to think there’s something more essential about the short story than just its being, well, short. Are short stories inherently tidier, messier, more dramatic, voicier, paradoxically slower, better with beer and pretzels than neighboring forms? We could adjectival-phrase away for days on this, following up with maybe yesses and maybe nos, but I...
