‘Yellow Peril’
Amongst the many novelties of the 1871 Crystal Palace cat show were two Siamese cats, which ‘are said to be the first of the kind ever brought to this country’. Owned by a Mr Maxwell, about whom little is known, the animals were described by one journalist as ‘singular and elegant, in their smooth skins...
from Museum of Ice Cream
Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying; also touching on television, childhood films and social media accounts, the collection investigates how to reveal...
Big brothers
Since my teenage years, I have been fascinated by the works of Orwell, while casting a critical and selective eye over them. I have always considered that his great masterpiece is Animal Farm; I was always less engaged by 1984. The idea behind 1984 was undeniably powerful; but, as so often with novels that expound...
Every animal has its own madness
Plague diary, 25 March 2020. Sometimes, in the terrible world, people open their front doors just slightly and spit as foreigners pass. Foreign, I’m told, in one of the Slavic languages, means mute. Whoever does not speak my language, is mute. Whoever does not have my history, is mute. “Virus detected in the sewers in...
A neighbourly word
All around them, all this time, things were changing and continued to change. As Mrs Glass said, the place wasn’t the same. If she hadn’t lived right through the changes, she told her friend Mrs Fletcher, she wouldn’t have recognized it, she would have walked up the street and right past her house and not...
Beyond the abyss
I was only a few months through an MA in Creative Writing and I already wanted to quit. My partner was driving me to the train station at the time. I had the money in my hand ready to pay for the expensive journey that would get me all the way from South Wales to...
Claire Messud: Craft and fusion
I meet Claire Messud at the London Review Bookshop one sodden evening in September when she is London to promote her latest novel, The Burning Girl. Her normal speaking voice is gentle anyway, but tonight she is speaking particularly softly so as not to disturb book browsers in the shop’s basement. I’m conscious we don’t...