Written in the stars
When childhood friends Cheng Gong and Li Jiaqi reconnect later in life, they are compelled to retrace the history of their dysfunctional families. In the process they uncover a mystery from their grandparents’ generation that lays bare ghosts from the beginnings of the Cultural Revolution that many would prefer to remain buried. Zhang Yueran’s Cocoon...
Summer at Sheep’s Head
Nick Laird’s latest novel Modern Gods is a provocative tale of two Northern Irish sisters who trying to negotiate unexpected challenges of faith, family, guilt and repentance – both at home and in the depths of a Papua New Guinea rainforest. He answers our quickfire Q&A on a recent London visit. Where are you now?...
Blood, Bible, Brer Rabbit and The Bear
In my neck of the woods, so to speak – the southern United States – the question is often posed, especially by people who are from away: “Why is there such a rich literary tradition in a region known to most of the world (those who know it at all) as poor, and religiously and...
Rereadability unbound
I’d like to think there’s something more essential about the short story than just its being, well, short. Are short stories inherently tidier, messier, more dramatic, voicier, paradoxically slower, better with beer and pretzels than neighboring forms? We could adjectival-phrase away for days on this, following up with maybe yesses and maybe nos, but I...
Flannery O’Connor: ‘Good Country People’
As both a reader and writer of stories, I love, perhaps more than any other quality of the form, the daring that defines the very best short stories: that breathtaking break with expectation, or subject matter, or reality as we know it. No story writer, it seems to me, had – or has – a...
