Guillermo del Toro: Monster maker
Alongside compatriots Alfonso Cuarón, Alejandro González Iñárritu and Carlos Reygadas, Guillermo del Toro emerged as one of the most visible and distinctive artists in modern Mexican cinema. A major contributor to the critical and commercial renaissance cinema from Mexico enjoyed on an international scale, the universal acclaim generated by Pan’s Labyrinth (2006) (which won a...
Fatima Bhutto: Culture shifts
In New Kings of the World, with customary wit and insight, Fatima Bhutto investigates how Bollywood, Turkish soap operas and K-pop are leading an emerging cultural movement that represents the biggest challenge to America’s monopoly on soft power since the end of the Second World War. The film below touches on some of the main...
Flickers of memory
Lately, the line between real life and movies has begun to blur. There are times when I’m pounced upon by a memory – the cracked rearview mirror of the first car I ever owned, say, or the ghostly dance of a curtain in front of an open window when I was small and impressionable and...
‘This place is loathsome’: A letter from Hollywood
With the arrival of the Talkies, numerous possibilities opened up for the film industry. The late thirties were, Wodehouse recalls, “an era when only a man of exceptional ability and determination could keep from getting signed up by a studio in some capacity or other”.1 As an Englishman in Beverly Hills, Wodehouse was not really...