Ottessa Moshfegh: Just one shot
Ottessa Moshfegh’s My Year of Rest and Relaxation, a New York Times bestseller shortlisted for the 2019 Wellcome Book Prize, is a darkly hilarious novel about narcotic hibernation and moneyed oblivion. The unnamed narrator is a recent graduate from New York’s Columbia University who has given up her underpaid job as a slacker assistant at...
Ece Temelkuran: Disrupt the disrupters
Desperate, confused, bored and exhausted. These are all words that most of us could relate to when we think of modern-day politics. Have we lost the plot? According to Ece Temelkuran, a prominent critical political commentator, we most certainly have but we are not alone. In her ominously titled book How to Lose a...
Sheena Kamal: The rage that simmers
It All Falls Down is the second in what will hopefully turn out to be a long-running series of crime novels by Canadian author Sheena Kamal. Once again focused on an enigmatic female protagonist named Nora Watts, it is a worthy follow up to Kamal’s critically acclaimed debut Eyes Like Mine. I may be a...
Visions and monsters
The Monstrous Child, which has just completed a very successful run at the Royal Opera House’s Linbury Theatre, is one of the first and most audacious examples of a new genre: highly evocative classical opera especially written for teenage audiences. Adapted from the YA novel of the same name by Francesca Simon with music by...
Leïla Slimani: We are all monsters
Leïla Slimani has been in huge demand on the global literary circuit since winning the Prix Goncourt in 2016 with her second novel Chanson douce, which was published in English last year as Lullaby (and in the US as The Perfect Nanny), translated by Sam Taylor. A worldwide bestseller, it opens with the double...







