Subverting the idea of The One That Got Away
Of all the great romance tropes – friends to lovers, forbidden romances and love triangles – there’s one that I’ve never been able to resist. From Anne Elliot and Captain Wentworth in Persuasion to Jay Gatsby and Daisy Buchanan in The Great Gatsby, the idea of The One That Got Away has always pulled at...
Towards a poetics of wreckage
There is something thrilling about a beautiful book – a book whose aesthetic, material presence, and the evocative momentum of its ideas and the words that embody them, seek to touch a reader’s every nerve, even that insubstantial vital centre we call our soul. Susan Stewart’s The Ruins Lesson: Meaning and Material in Western Culture...
Riddled words, puzzled lives
There is something deliciously provocative about a work of literary fiction that begins with the statement “If it sounds like writing, rewrite it”. It is a pronouncement that holds the reader in irresistible tension: will this prove to be the most flawless of narratives or be exposed instead as the most bombastic of bathetic ironies?...
