Write what you don’t know
By the time I wrote Cadenza, I had realised that the advice to ‘write what you know’ was lousy advice for a fiction writer. Part of my artistic agenda was to do something like the opposite. Writing what you know is a good way to stop your imagination before it even gets started. It’s also...
Time to say goodbye
Most people live in compromise. For me, this has never been an option. Not that I ever wanted some insipid “normal” existence, but people have said, and I suppose will always say, she did this or that “because of the accident” or “in spite of the accident.” These statements amount to the same thing: they’re...
Blind ricochets and unexpected avenues
“We want Jack! We want Jack! We want Jack!” It starts with just one voice, some anonymous drunken loser without a girlfriend to embarrass, hidden deep within the chattering mass of denim and leather. Cliché to begin with, those three syllables sound particularly obnoxious coming from just one person. But a restless herd of kindred...
Ink blots in the trunk
Every aspiring writer is familiar with the concept of the ‘trunk novel’. This is the novel that doesn’t make it to the bookshelf, but instead gets tucked into a bottom desk drawer or old USB drive after refusing to do what its writer wants it to do. Often it’s the writer’s first attempt at a...
On ghosts and grace
At the outset of our email chat about her new novel Ghosted, when I tell her how deeply I connected with her story, Jenn Ashworth accepts my heartfelt praise with the comment: “It’s all I want, really, when people read my books – just to feel like they’ve been acknowledged and offered something half-useful.” It’s...
