In two words
Michelle Haimoff’s debut novel These Days Are Ours is a witty and reflective story of a group of bright young things trying to make sense of life and love in post-9/11 New York. The action shifts when the main protagonist Hailey finds herself attracted to a man who seems like no other she has dated...
Biblio bibelots
Patricia Ferguson’s gripping and life-affirming new novel Aren’t We Sisters?, the sequel to The Midwife’s Daughter, examines the transformative power of buried secrets, unlikely friendships and unexpected connections among three women in the fictional Cornish town of Silkhampton, where a killer is on the prowl… She shares her literary trinkets. Where are you now? At...
Joshua Ferris: Down in the mouth
Joshua Ferris’s To Rise Again at a Decent Hour tells the story of Paul O’Rourke, a restless and anxious dentist in love with life but with no earthly idea of how to live it. A tangle of contradictions, he’s a Luddite with an iPhone (‘me-machine’) habit, and a God-fearing atheist whose troubled past and uncertain...
Flannery O’Connor: ‘Good Country People’
As both a reader and writer of stories, I love, perhaps more than any other quality of the form, the daring that defines the very best short stories: that breathtaking break with expectation, or subject matter, or reality as we know it. No story writer, it seems to me, had – or has – a...
Rebecca Hunt: Poles apart
Rebecca Hunt is one of the friendliest people I’ve ever met, never mind interviewed. Her incredibly poised debut novel Mr Chartwell was published when she was 31 (she’s now 34), and sold in ten countries. Also longlisted for the Guardian First Book Award, she could frankly be excused for taking herself very seriously indeed. But...
Amanda Lindhout: Compassion over hate
Amanda Lindhout’s remarkable memoir A House in the Sky tells the harrowing, ultimately inspirational story of her 460 days in captivity as a hostage in Somalia. Moved between derelict desert houses where she was kept in the dark, in chains, starved, and repeatedly beaten and abused by her teenage captors, she was able to call...
Avoid like the plague
A cliché may be defined as a phrase whose aptness in a particular context when it was first invented has won it such popularity that it has become hackneyed, and is now used without thought in contexts where it is no longer apt. Clichés are notorious enemies of the precise word, and thus are by...
