Nikhil Parmar: Spirited, inspired and fundamentally hilarious
Nikhil Parmar’s acclaimed debut play Invisible returns to London’s Bush Theatre for a limited run before transferring to New York as part of the 2023 Brits Off Broadway festival. The provocative one-man show is a darkly comic tour-de-force in which an underemployed actor (and overemployed dealer) takes drastic steps to get noticed. I fire off...
Ambreen Razia: Mums and daughters
Ambreen Razia’s remarkable new play Favour at the Bush Theatre, co-directed by Róisín McBrinn of Clean Break and Sophie Dillon Moniram, plots the troubled return to family life of single mum Aleena (Avita Jay) after a spell in prison. While she was away, her teenage daughter Leila (Ashna Rabheru) was in the care of her...
What are you playing at?
What is the opposite of a game? Work? Reality? Real life? Read the books on this list and you’ll be even less certain. From a teacher lured into a game of make-believe (or is it?) on a Greek island, to the S&M mind games of The Image, to Professor Johan Huizinga’s seminal Homo Ludens, the...
The Mourners’ Kaddish
Sometimes it is very hard to put words to experiences. In Adorno’s much used (and misused) own words, “there can be no poetry after Auschwitz”; the human soul and mind can conceive of no recreation of experience, no seamless relating to, or of, life through words alone, once the humanity of meaning has been so...
A complex complicity
“I’ve forgotten such a lot. Most of it, really. Certain things stick of course, although I’ve no idea why. I don’t understand how it works. I read something and then I go across the room to check what’s for dinner and completely forget what I’ve just read. I think, wait a minute, I’ve only just...
