from Please Do Not Touch This Exhibit
When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
A semblance of order
Ana Sampson’s latest poetry anthology Gods and Monsters, illustrated by Chris Riddell and with a foreword by Natalie Haynes, draws together classic and brand-new mythological poems from around the world. With retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit myths, it includes poems from Neil Gaiman, W.B. Yeats, Kae Tempest,...
from The Dogs
This book came about from an encounter. Every day for over ten years, I passed a dog tethered in a yard on Low Lane near where I lived. He was guarding a pile of scrap metal. His only shelter was a corrugated sheet. He had a bowl of rainwater and his leash allowed him little...
from A Change in the Air
In Jane Clarke’s third poetry collection A Change in the Air, voices of the past and present reverberate with courage and resilience in the face of poverty, prejudice, war and exile and the everyday losses of living. Across six sequences, these intimate poems accrue power and resonance in what is essentially a book of love...
Riots, rhymes and reason
I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society. Some of my early work dealt with fratricidal violence and internecine warfare, not too dissimilar...
Light in a world of darkness
In 2013, Icelanders voted for the most beautiful word in their language. They chose a nine-letter one, the job title of a healthcare worker, the Icelandic term for midwife: ljósmóðir. In its reasoning, the jury stated that the word was a composite of the two most beautiful words: móðir, meaning mother, and ljós which means light. Although I had two...
from It Must Be a Misunderstanding
Mexican poet, teacher and translator Coral Bracho was born in Mexico City in 1951. She has published several books, two in English thanks to poet-translator Forrest Gander, who has put this composite volume together, the first extensive compilation of Bracho’s work to be published in the UK. A wide selection from Bracho’s earlier collections is...
from Border Zone
John Agard has been broadening the limits of British poetry for the past 40 years. His ninth Bloodaxe collection, Border Zone, explores a far-reaching canvas of British/Caribbean transatlantic connections, sweeping across centuries and continents. It’s a diverse collection in which the thought-provokingly mischievous, bawdy, elegiac and satirical rub shoulders with the sequence The Plants Are Staying Put –...
Eve
Colm Tóibín’s first collection of poetry Vinegar Hill, written over several decades, explores sexuality, religion and belonging through a modern lens, across themes including politics, queer love, reflections on literary and artistic greats, living through Covid, memory, mortality and a fading past. Here he gives voice to a rueful Eve as she looks back on...
New writers for the new normal
Kei Miller’s list of Emerging Writers of an Emerging World for the 2021 International Literature Showcase fizzes with hope, like an old-timey musical. Spring is bustin’ out all over, and it’s named Caleb Azumeh Nelson, Daisy Lafarge, Gail McConnell, Helen McClory, Ingrid Persaud, Jarred McGinnis, Mícheál McCann, Rachel Long, Sairish Hussain and Steven Lovatt. There is something for everyone: six novels, three volumes...
from Museum of Ice Cream
Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying; also touching on television, childhood films and social media accounts, the collection investigates how to reveal...
from A God at the Door
Tishani Doshi’s latest poetry collection A God at the Door spans time and space, drawing on the minutiae of nature and humanity to elevate the marginalised. Taken together, playfully eclectic in form and metre, the poems traverse history, from the cosmic to the quotidian, taking inspiration from the world at large to bestow power on...
