Island stories and other fictions
When Rishi Sunak recently tried shamelessly to turn the Rochdale byelection into a national crisis, warning about extremism tearing us apart, one phrase leapt out at me. Immigrants who integrate, he said, “have helped write the latest chapter of our island story.” Unless my publishers had really upped their game, I knew he wasn’t referring...
Becoming a writer
My twentieth novel, Reservoir, is a psychological thriller about memory, secrets and shame. My central character Hannah has reinvented herself in order to escape her past. Like me, she has moved from a working-class background into a profession that is traditionally middle class – in her case it is psychotherapy rather than writing. At a recent...
Imagining an island
While fine-tuning my fourth novel, Missing, I started thinking about my fifth. In the Scottish Borders, fact-checking my references to Hawick, I mentioned to the friend with whom we were staying that I was thinking of setting my next novel somewhere totally fictional, somewhere superficially familiar but with local customs and minor rules that would...
Be creative
Let’s say you would like to write a novel. You have a plot summary, gained over weeks, months, years, which has formed in your mind while you have been out walking, running, having a bath. The plot is simple and effective, and you can describe it in less than a minute. Your friends like your...
