"To write anything worth reading you have to put everything you have into every sentence. There can be no lazy thinking, no clichés, no borrowed tropes, no third-hand experience; there can be no hiding.” Miranda Darling
Posts tagged "tips for writers"
Beyond language

Beyond language

Indeterminate Inflorescence is a collection of aphorisms on poetry-writing taken from the creative writing lectures of Lee Seong-bok, one of South Korea’s most prominent living poets. These 470 meditations, collected by his students, are evocative micro-poems in their own right. Some express ideas at once familiar and breathtakingly new – truths we could sense but not put...
Pulling it all together

Pulling it all together

Writing has always been my thing. Back when I was a crime reporter in the US, picking my way across murder scenes and figuring out how to get blood out of my shoes, I was there because I wanted to write. And when I worked in communications for the British government, trying to persuade spies...
Keep moving – and breathe...

Keep moving – and breathe…

Rachel McRady’s debut novel Sun Seekers is an emotionally resonant depiction of a broken family uniting in the face of a health crisis. It movingly explores the lasting effects of grief, complex family dynamics, the impact that a disease like dementia can have on everyone involved, and how the innocence of a child can bring...
Write what you don't know

Write what you don’t know

By the time I wrote Cadenza, I had realised that the advice to ‘write what you know’ was lousy advice for a fiction writer. Part of my artistic agenda was to do something like the opposite. Writing what you know is a good way to stop your imagination before it even gets started. It’s also...
Look to nature

Look to nature

Writing fiction – especially during the early, inspiration-seeking moments – requires establishing your personal preconditions for creativity, and preparing to inhabit different states of being. Each element of the writing process has its own energy and it helps to recognise what stage you are at, and what you need to draw inspiration from to move...
One person trying to be three or four

One person trying to be three or four

Not many of my days are the same but the range they cycle through remains consistently varied. Let’s take a random sample, say, yesterday, and see what happened in 24 hours of my writing life… Weather: 15 degrees and torrential rain. Bondi Beach, Edge of the World. It hasn’t stopped raining for four days, the sort of water-sheets you only get...
The essential art of rewriting

The essential art of rewriting

I am always nervous about giving advice to aspiring novelists. My instinct is not to advise at all but to ask them, quite earnestly, if they are sure that this is what they want to do. If the answer is “I think so…” then I am tempted to steer them towards a different course. The...
Ten things about writing

Ten things about writing

Any writer is prey to the temptation to hand out writing advice at the least provocation, but I try to refrain most of the time. There is sufficient writing and publishing advice on the internet to equal even the cat photos and pornography. But here are ten things I believe about writing: things I tell...
Shakespeare's advice to writers? Use the pandemic (sometimes)

Shakespeare’s advice to writers? Use the pandemic (sometimes)

Shakespeare’s life was defined by the bubonic plague. What can we learn from the OG of pandemic writers? Make it count Today’s writers should deploy our pandemic’s memento mori – face masks, hand sanitiser, refrigerated morgue trucks – sparingly. Overuse lessens impact. Shakespeare knew this: he reserves images of miasmas (plague-spreading pockets of corrupted air)...
On finding your voice

On finding your voice

When I first started actively pursuing a writing career, I had a pretty good idea of what I was going to write: spare and beautiful books set in rural Ireland, miniature domestic tragedies with universal truths at their heart. Possibly there’d be a PWDP (Priest With Dark Past), or a WRAUA (Woman Returning After Unexplained...
Be creative

Be creative

Let’s say you would like to write a novel. You have a plot summary, gained over weeks, months, years, which has formed in your mind while you have been out walking, running, having a bath. The plot is simple and effective, and you can describe it in less than a minute. Your friends like your...
Richard Skinner: Getting going

Richard Skinner: Getting going

Richard Skinner is Director of the Fiction Programme at Faber Academy and a tutor on its six-month Writing a Novel course. Working across fiction, life writing, non-fiction and poetry, his latest book is Writing a Novel: Bring Your Ideas To Life The Faber Academy Way. I fire off some questions about the book, the course...