A novelist by default
This year I became an accidental author. Not that I didn’t want to write a novel, I always thought I would one day, but it wasn’t on my to-do list anytime soon. My previous writing career had encompassed scriptwriting for everything connected to cinema and TV, from soap opera to drama, short film to feature...
Yaddo, Yaddo
Even to me, it seems unlikely. A 50-year-old woman – with no writing history, no MFA, no closet of stories, no folder of poems – pens a novel that becomes a lead title for Simon & Schuster. I’ve been over it a few times in my head – the parts that were amazing, the parts...
The ghosts within
As my father drove my mother to the nursing home in Malacca, Malaya, their car came under heavy fire. Two weeks later, on August 16th 1948, I was born. Two months before that, in June, three British rubber-planters were shot dead by men arriving on bicycles, thus inflaming tensions that resulted in a state of...
The conversation
Before my novel The Death of the Poet was published, I was used to experiencing certain sorts of conversation about writing. After all, that’s what I do for a living – talking and writing, I mean. Talking, as in radio; writing, as in novels; talking about writing, as in critical discussion. For a good number...
The tiger who came to stay
The main character of my first novel, The Night Guest, is a seventy-five-year-old woman named Ruth. People often ask me how it was that I came to write a book about an elderly woman. I assume they ask this because I’m not elderly; this leap of imagination, from young to old, seems particularly hard to...
The author project
Graeme Simsion’s debut novel The Rosie Project tells the story of Don Tillman, a genetics professor with undiagnosed Asperger’s, and his awkward attempts to find love via a highly personalised psychometric questionnaire. Mark Reynolds fires off some questions about his mid-life reinvention as an internationally bestselling novelist, a transition that began when he sold his...
