"To write anything worth reading you have to put everything you have into every sentence. There can be no lazy thinking, no clichés, no borrowed tropes, no third-hand experience; there can be no hiding.” Miranda Darling
September 2023
Arianespace

Arianespace

IT’S THE LAST ONE IN THE VILLAGE. RUMOUR HAS IT she’s outlived most and chased away the rest, that’s how they talk about her in these parts, where her first name is all that’s needed: Ariane. According to the police report, she is ninety-two years old, and what I hope, as I park my car...
from Please Do Not Touch This Exhibit

from Please Do Not Touch This Exhibit

When I started writing the poems in Please Do Not Touch This Exhibit, it had been four years since my first IVF appointment. I wrote the collection over the following two years, not knowing what the end would be; I’d aimed to finish the book by winter 2022, realising I might be pregnant by then,...
A semblance of order

A semblance of order

Ana Sampson’s latest poetry anthology Gods and Monsters, illustrated by Chris Riddell and with a foreword by Natalie Haynes, draws together classic and brand-new mythological poems from around the world. With retellings and reimaginings of Roman, Greek, Egyptian, Norse, Celtic, Aztec, Japanese and Inuit myths, it includes poems from Neil Gaiman, W.B. Yeats, Kae Tempest,...
Here or there

Here or there

Dan proposed to me the evening of his mother’s funeral. After saying goodbye to the last of our friends at the end of the wake, he grabbed a half-consumed bottle of wine and led me to the back of his parents’ yard, down by the compost bin and dying vegetable garden, where we squatted beside...
Spooky houses with eerily lit windows

Spooky houses with eerily lit windows

The image is instantly recognisable to horror fans: a foreboding house, a darkened sky, a single illuminated window. Maybe a figure stands silhouetted against the window’s yellow glow. Maybe the house is in a state of disrepair – forked cracks at the foundation and creeping vines strangling the porch rails. To me, a lifelong lover...
Making sense of the past and present

Making sense of the past and present

Anjum Hasan’s latest novel History’s Angel is an intimate portrait of contemporary Delhi seen through the eyes of a timid schoolteacher who is struggling to square his love of history with the questionable values, indifference and rising hostility that surround him as a Muslim in Narendra Modi’s India. She tells us about her motivations and...